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	<title>2018 archivos - Global Spaces</title>
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	<title>2018 archivos - Global Spaces</title>
	<link>https://globalspaces.eu/construction_period/2018/</link>
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	<item>
		<title>Chorizo House</title>
		<link>https://globalspaces.eu/2025/10/10/chorizo-house/</link>
					<comments>https://globalspaces.eu/2025/10/10/chorizo-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 10 Oct 2025 17:39:51 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Giusto van Capenhout]]></category>
		<category><![CDATA[Javier Agustín Rojas]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99367</guid>

					<description><![CDATA[<p>The Chorizo House is one of the Buenos Aires’s most common typologies. Mostly developed at the beginning of the 20th [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/10/chorizo-house/">Chorizo House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/giusto-van-capenhout">Giusto van Capenhout</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/javier-agustin-rojas">Javier Agustín Rojas</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Buenos Aires,&nbsp;<a href="https://globalspaces.eu/country/argentina">Argentina</a></p>
<p>The Chorizo House is one of the Buenos Aires’s most common typologies. Mostly developed at the beginning of the 20th century they are defined by an exterior corridor that distributed a series of separate rooms in enfilade. Each of the rooms houses a specific function and organized the lives of the immigrants that arrived by masses during the 1900s. When we were asked to destroy and old Casa Chorizo to build a new house, we proposed to keep the house structure and make architecture by subtracting material, not driven by a nostalgic desire of preservation but with the positivist intention to transcend its spatial qualities.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/10/chorizo-house/">Chorizo House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Yang&#8217;s School Area</title>
		<link>https://globalspaces.eu/2024/09/15/yangs-school-area/</link>
					<comments>https://globalspaces.eu/2024/09/15/yangs-school-area/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 15 Sep 2024 07:48:24 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Renovation]]></category>
		<category><![CDATA[3andwich Design / He Wei Studio]]></category>
		<category><![CDATA[China]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=95788</guid>

					<description><![CDATA[<p>Selected as one of the “historical and cultural villages” in Fujian Province, Shangping Village has been sustained by its agricultural [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/09/15/yangs-school-area/">Yang&#8217;s School Area</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/3andwich-design-he-wei-studio">3andwich Design / He Wei Studio</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/3andwich-design-he-wei-studio">3andwich Design / He Wei Studio</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Shangping Village,&nbsp;<a href="https://globalspaces.eu/country/china">China</a></p>
<p>Selected as one of the “historical and cultural villages” in Fujian Province, Shangping Village has been sustained by its agricultural tradition and Hakka culture. In Shangping, most of the villagers have the surname of Yang, who are the descendants of Captain Yang Zhen from Han Dynasty. Shangping Village has a complete rural feng shui pattern where two streams run around the village and gather at Shuikou area (the water gap, village entrance). There are many provincial-level cultural heritages such as the Tai Fu Tai Mansion, the Yang’s Ancestral Temple, Shezumiao Shrine, Zhaogongmiao Temple, etc. According to the legend, the great scholar Zhu Xi used to give lectures in Shangping and to leave with treasured calligraphy. Therefore, Shangping has a reputation for &#8220;literary village surrounded by water &#8220;. By October 2017, the Shuikou Area has been completed; Two month later in December, Yang’s School Area and Tai Fu Tai Mansion Area have finished renovation works.</p>
<p>Yang’s School Area is located at the intersection of the two streams in Shang Ping Village where two main trails dispatch from the entrance. That’s the reason of being important geographically. According to historical legend, Mr. Zhu Xi, a national historian and educationalist, has lectured in Yang’s School and created great poems as well as calligraphy here. The design of this part is to transform historical site into a tourist spot and unveil the great history of Shang Ping Village.</p>
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<p>The design includes a few deserted agricultural buildings, such as utility rooms, cowsheds and barns. The design team hopes to transform the original buildings into a bookstore which provides space for tourists to learn about the history and culture of the village. Meanwhile, it also provide locals, especially children, with a place to get knowledge from the outside world. It is a great opportunity to indicate a well-known Chinese tradition called &#8220;Cultivation and reading is to bequeath to the family&#8221;.</p>
<p>&#8216;Guang Yue Granary Bookstore’ and ‘Jing Ya Granary Bookstore’</p>
<p>In the early phase of site analysis, designers found that utility room and cowshed are very different in terms of spatial identity. The utility room is relatively tall with accommodated interiors , while the cowsheds are lower and darker. Several cowsheds are separated by rubble walls and second floors are used for storing forage originally.</p>
<p>Spatial differences and ‘flaws’ bring about the difficulty of retrofitting these existing spaces. In the mean time, it seems to be a dramatic element for reforming architectural narrative, which is just an interesting moment for the project. By using the characteristics of the original space, the design team defined the new building as a combination of ‘Live and Calm’ .</p>
<p>‘Live’ refers to the sales space in Boostore transformed by utility room. It is relatively active to be here when exchanging books and sales activities happen periodically. Also, cultural products designed by the team are sold at this corner. Reading Bar is regarded as a cultural window connecting the village to the world outside. Visitors can get to know more about the village while local residents see the outside from a physical window(a full height glass door facing to the village ) and psychological one. It is called ‘Guang-Yue Granary Bookstore’ .</p>
<p>In the opposite of the building, the original surface across the stream is a solid wall with a high window on it. However, the landscape is so nice to be seen from the building that designer added a platform inside, on which people enjoy the view. This design principle maintains the existing relationship between interior and exterior. Thus, when people stay inside, stream is kept invisible for enjoying sound only. If visitors still wants to see the stream, one step on the platform makes it a great difference. A full-height glass window is embedded in the other side of the building to generate a new relationship with its’ neighbor, the village, to provide a great solution for better natural lights.</p>
<p>‘Calm’ refer to reading and meditation, named ‘Jing-Ya’. It is transformed from former cowsheds. The identity of this space, connected but separated from top to bottom, is special to be kept. The lower level enclosed by rubble used to be dark and narrow living space for cow, while narrow wood-made upper level were used for forage. Wood structure seats on rubble part. Two levels are separated spatially (entrance are separated) but connected logically (cow on the bottom eats forage)in function.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/09/15/yangs-school-area/">Yang&#8217;s School Area</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>House in a meadow</title>
		<link>https://globalspaces.eu/2024/04/23/house-in-a-meadow/</link>
					<comments>https://globalspaces.eu/2024/04/23/house-in-a-meadow/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Tue, 23 Apr 2024 13:32:38 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[Christian Brandstätter]]></category>
		<category><![CDATA[Hohengasser Wirnsberger Architekten]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=94179</guid>

					<description><![CDATA[<p>The house stands in the meadow on the edge of buildings and agriculture. The chance to still be part of [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/23/house-in-a-meadow/">House in a meadow</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/hohengasser-wirnsberger-architekten">Hohengasser Wirnsberger Architekten</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/christian-brandstatter">Christian Brandstätter</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			,&nbsp;<a href="https://globalspaces.eu/country/austria">Austria</a></p>
<p>The house stands in the meadow on the edge of buildings and agriculture. The chance to still be part of the landscape with the last building plot &#8211; i.e. to live in it &#8211; was a determining factor in the design. Similar to the well-known “hay harp”, the building stands in the landscape – characterized by a clear structure and “lightness”.</p>
<p>The psychologist couple, who like to travel in a camper van, wanted a retreat with a connection to the surrounding nature. A one-room house was built on 65 square meters, which opens completely to the landscape to the east, south and west and, on the northern side of the slope, accommodates sleeping alcoves, bathrooms, toilets and cloakrooms in a 140 cm wide layer of space. The one-room is divided into a living, cooking and dining area by furniture and continues to the east and west onto a generously covered terrace. Superstructure and technical equipment are reduced to a minimum and all surfaces are made of untreated spruce wood. The installation cables are bundled compactly in a wall or, where necessary, routed “on wood” – a wood stove serves as the heating source.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/23/house-in-a-meadow/">House in a meadow</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Sport Facilities</title>
		<link>https://globalspaces.eu/2024/04/12/sport-facilities/</link>
					<comments>https://globalspaces.eu/2024/04/12/sport-facilities/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 12 Apr 2024 11:09:14 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Andreas Graber]]></category>
		<category><![CDATA[Gautschi Lenzin Schenker Architects]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=94001</guid>

					<description><![CDATA[<p>The placing of the new sports hall clarifies the outdoor settings around the existing school grounds. The sports hall creates [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/12/sport-facilities/">Sport Facilities</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/gautschi-lenzin-schenker-architects">Gautschi Lenzin Schenker Architects</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/andreas-graber">Andreas Graber</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Ormalingen,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>The placing of the new sports hall clarifies the outdoor settings around the existing school grounds. The sports hall creates together with the school building a clearly defined space with break and village square. The hard court and lawn for P.E. lie directly opposite on the west side and belong spatially to the lawn landscape “floor mat”. The covered outdoor area marks the main entrance and creates the face towards the school site. The middle section with the room for gymnastic equipment on the ground floor and the changing rooms on the first floor arrange the square floorplan structurally. Die sports hall and multi-purpose hall are each lit along its length side. The chosen sturdy materialization of the facade made of pre-fabricated concrete elements takes credit in this exposed situation in the public zone. The play of light and shadow due to the ripped concrete elements has the effect of an ever-changing volume throughout the course of the day. The front surface of the ribs is ennobled by means of sanding. The opaque band window glazing provides the ideal cast-shadow-free exposure to light for the hall.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/12/sport-facilities/">Sport Facilities</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>House a / Shop b</title>
		<link>https://globalspaces.eu/2024/03/30/house-a-shop-b/</link>
					<comments>https://globalspaces.eu/2024/03/30/house-a-shop-b/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sat, 30 Mar 2024 18:08:21 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Kimura Matsumoto]]></category>
		<category><![CDATA[Shinkenchikusha]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=93748</guid>

					<description><![CDATA[<p>A home and shop in an area just to the north of the center of Kyoto where such mixed use [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/03/30/house-a-shop-b/">House a / Shop b</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/kimura-matsumoto">Kimura Matsumoto</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/shinkenchikusha">Shinkenchikusha</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Kyoto,&nbsp;<a href="https://globalspaces.eu/country/japan">Japan</a></p>
<p>A home and shop in an area just to the north of the center of Kyoto where such mixed use is very common. Given the environment surrounding the property, the building opens to the north side, while keeping the main structural elements on the south side, where it is unlikely for the environment to change in the future. The design uses a basic module of a “fishbone” frame with ト-shaped wooden trusses on the south side and one twice as wide, alternating to form a double grid. By using the trusses extending to the north as boundaries to create the second story and mezzanine, given the extended height of the first story, the residence, store, workshop and café were formed as separate spaces, each with its own character.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2024/03/30/house-a-shop-b/">House a / Shop b</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Plywood House</title>
		<link>https://globalspaces.eu/2024/02/29/plywood-house/</link>
					<comments>https://globalspaces.eu/2024/02/29/plywood-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 29 Feb 2024 12:31:22 +0000</pubDate>
				<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Feina Studio]]></category>
		<category><![CDATA[José Hevia]]></category>
		<category><![CDATA[Spain]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=93156</guid>

					<description><![CDATA[<p>This expansion and renovation project is located in a residential neighborhood of Palma with ground-floor houses and patios. The need [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/29/plywood-house/">Plywood House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/feina-studio">Feina Studio</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/jose-hevia">José Hevia</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Palma de Mallorca,&nbsp;<a href="https://globalspaces.eu/country/spain">Spain</a></p>
<p>This expansion and renovation project is located in a residential neighborhood of Palma with ground-floor houses and patios. The need to extend the original home on the ground floor, maintaining the original load-bearing wall structure, makes it necessary to adopt a light structural solution such as wood.</p>
<p>CRAFTS</p>
<p>From the beginning, we considered the project as an investigation along two parallel lines. On the one hand, the possibilities of prefabricating wooden elements with numerical control cutting (CNC), and on the other, an investigation into the crafts still alive on the island, such as clay and marés.</p>
<p>We start from an autonomous and decontextualized structure, anchored to a “base” or “pre-existence” for which we “ideate” and manufacture a prefabricated wooden system, starting from 244x122cm poplar plywood panels. Here the structure gives us the opportunity to investigate and test a wooden prefabrication structural system that uses the language of its manufacturing process. Combining the elements of this system defined by the capabilities of CNC cutting, this system serves as a starting point and can be reproduced in other types of buildings.</p>
<p>The project explores and incorporates local materials and artisans using local products with different degrees of industrialization. For the interior flooring, we worked hand in hand with Huguet, a traditional manufacturer of hydraulic tiles in Mallorca, designing a large continuous mosaic of tiles with smooth joints in the areas where it was necessary to replace the original flooring. Special terracotta slivers from Miquel Soler, a traditional manufacturer from Felanitx, have been used in various parts of the façade and the pool.</p>
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<p>ADAPTABLE</p>
<p>The project establishes several &#8220;atmospheric zones&#8221; within the house. Thus there are rooms with diffused light, with morning light, with north orientation, with south orientation. Rooms that look out onto an interior patio, or rooms with afternoon sun and views of Bellver Castle. Some with a lot of thermal inertia, so that they are cool in summer, and others with little thermal inertia so that they are easily heated in winter, encouraging seasonal migration in the home.</p>
<p>The architectural intention is to create an atmospheric spatial variety with seasonal use that only depends on the comfort of the moment. The few programs that have a defined use in the home are the wet areas, around which the rest of the uses revolve.</p>
<p>RAW</p>
<p>The optimization of the board cut and the structural requirements generate purely structural ornate geometries and volumes, without any added elements. The structure will be presented naked without covering, helping to economize the intervention while “ornamenting” and “decorating” the interior. The absence of finishes shows the structural demands of the ceilings, which closely resemble the coffered ceilings so characteristic of the old town of Palma.</p>
<p>The intervention in the preexistence is carried out with primary materials, wood, stone, clay, all of them without finishes.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/02/29/plywood-house/">Plywood House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>House Schmieder Fraxern</title>
		<link>https://globalspaces.eu/2024/02/05/house-schmieder-fraxern/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 05 Feb 2024 07:56:32 +0000</pubDate>
				<category><![CDATA[Interiors]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Adolf Bereuter]]></category>
		<category><![CDATA[Austria]]></category>
		<category><![CDATA[Fischer Schmieder Architekten]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=92764</guid>

					<description><![CDATA[<p>Right from the start, the design process was shaped by the search for the adequate answer to the speed and [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/05/house-schmieder-fraxern/">House Schmieder Fraxern</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/fischer-schmieder-architekten">Fischer Schmieder Architekten</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/adolf-bereuter">Adolf Bereuter</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Fraxern,&nbsp;<a href="https://globalspaces.eu/country/austria">Austria</a></p>
<p>Right from the start, the design process was shaped by the search for the adequate answer to the speed and complexity of the contemporary social developments.House Schmieder in Fraxern is completely built in monolithic concrete. The 8×8 meter cube stands separated on a slightly inclined meadow interspersed with cherry trees and is accessed from a small road via a filigree steel bridge. Cooking, living and sleeping areas are spread over three floors and connected by an open staircase. Exposed concrete, raw steel and silver fir are the only materials to find. The external walls are made of 50cm thick isolating concrete. All surfaces are untreated. Any floor construction was waived, the concrete surface was only polished. The construction gave the opportunity to activate the concrete core with a solar heating system, only supported by a centrally located wood stove.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/05/house-schmieder-fraxern/">House Schmieder Fraxern</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Casa de Armeiro</title>
		<link>https://globalspaces.eu/2024/01/01/92476/</link>
					<comments>https://globalspaces.eu/2024/01/01/92476/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 01 Jan 2024 08:23:25 +0000</pubDate>
				<category><![CDATA[Interiors]]></category>
		<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Arkstudio]]></category>
		<category><![CDATA[Portugal]]></category>
		<category><![CDATA[Rodrigo Cardoso]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=92476</guid>

					<description><![CDATA[<p>The Casa de Armeiro rehabilitation project sought to preserve, as far as possible, all the vernacular characteristics of the building. [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/01/01/92476/">Casa de Armeiro</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/arkstudio">Arkstudio</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/rodrigo-cardoso">Rodrigo Cardoso</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mértola,&nbsp;<a href="https://globalspaces.eu/country/portugal">Portugal</a></p>
<p>The Casa de Armeiro rehabilitation project sought to preserve, as far as possible, all the vernacular characteristics of the building.<br />
In this way, the original geometry of the house was maintained, and the intervention was carried out by adapting the housing program focused on the current requirements of health and functionality to the existing compartments, this limitation being the greatest obstacle to the development of the project and the work.<br />
To recover the space, traditional construction techniques were used, such as: lime coatings on stone masonry, terracotta or stone floors, and most of the carpentry was maintained, being intervened occasionally.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2024/01/01/92476/">Casa de Armeiro</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Mountain House in Mist</title>
		<link>https://globalspaces.eu/2023/08/20/mountain-house-in-mist/</link>
					<comments>https://globalspaces.eu/2023/08/20/mountain-house-in-mist/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 20 Aug 2023 09:26:10 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Lin Chen]]></category>
		<category><![CDATA[Shulin Architectural Design]]></category>
		<category><![CDATA[Yilong Zhao]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90941</guid>

					<description><![CDATA[<p>Mountains surround the house in the south, covered with thick forests. The house is located in an ancient mountain forest [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/08/20/mountain-house-in-mist/">Mountain House in Mist</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/shulin-architectural-design">Shulin Architectural Design</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/lin-chen">Lin Chen</a><a href="https://globalspaces.eu/photographer/yilong-zhao">Yilong Zhao</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Jinhua,&nbsp;<a href="https://globalspaces.eu/country/china">China</a></p>
<p>Mountains surround the house in the south, covered with thick forests. The house is located in an ancient mountain forest in Wuyi County, Jinhua, Zhejiang Province. The village maintains complete features from old inhabitants in this area, with buildings scatters in different altitudes by the mountain line and dense trees with a history of over one hundred years at the entrance. The book house sits not far from the square at the entrance, beside which are well-preserved courtyard houses made in rammed earth. The old cowshed used to locate in the yard but was removed after it collapsed.</p>
<p>The book house aims to create a serene reading space that clams people down, thus attracting more young people and children to return to the mountains. It also provides a colorful and quiet place so that children and the elderly can feel freedom and happiness in this house.</p>
<p>Bring the space and the village closer. One of our initial thoughts is to spare room for the villagers, which also brings an intuitive feeling. In the first floor of the book house, there is an overhead semi-outdoor open space, and ten structural columns hold the entire house. The closed spaces are on the second floor, connected to the outside with an outdoor staircase. There is only a tiny water bar on the first floor for water and beverages, the other places are totally open for villagers to drink, chat, and for kids to play. The open space connects all the possible activities.</p>
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<p>At the same time, from the perspective of the space relationship, the book house is in a triangle area, with the main walkway on the south and a three-meter stone wall on the north. Above the wall, there is a playground for children. By lifting up the close space of the house to give room to the space between the ground floor and the walkway, passers-by are also made able to rest under the house at any time. The second floor is on the same level as the children&#8217;s play area, which makes it convenient for kids to read books or play while their parents can still pay attention to their children when reading. Whether it is from the perspective of the nature of the site or that of understanding rural life, we hope that architecture and villagers, as well as the rural environment, can remain friendly to each other.</p>
<p>Patio and time. The patio is placed in the book house as the core with a pleasant scale. There is a surface of the water below the bottom of the first-floor patio. On rainy days, water rain falls from the patio into the pool, and the sound can be heard inside the house; while when the sun shines directly, it creates a unique light and shadow effect. A patio is designed in such a small place because it makes the house more relevant to nature, time, and space. This is a sense of time in the house from my perspective.</p>
<p>The setting of the patio looks like it is waiting for a certain time – for the sun to cast in a beautiful shadow, for the rain to drip ripples, or for the breeze to blow in. At those moments, the patio is set as a special space waiting for its significance of being created. The essence of rural architecture as I understand is a state in which people and space, people and nature, and people and time coexist harmoniously. This patio, makes it happen by including sunlight, rain, and air into the interior space.</p>
<p>Corridor and communication. There are two rounds of back-shaped bookshelves on the second floor, creating a corridor around the patio and the reading space in the middle. With a comfortable width of one meter, it suspends from the structure of the first floor. The corridor provides the experience of walking around in the garden, while a lot of holes are opened according to the modular size of the back-shaped bookshelves, letting the light and airflow through the difference of size and height.</p>
<p>As the reader wanders around in the corridor, their horizon opens together with the entrance, and the boundaries disappear. When standing on the other side of the entrance, people can see through the window and watch others reading books on the balcony, and farther, the hills and forests far away. The perspective from different layers creates communication between people, space, and the environment.</p>
<p>Experimental attempt. We have always been insisting on the design and research method of research. During the design of the book house, we made two experiments: the experiment on the morphological type, and the experiment on the application of materials.</p>
<p>In terms of morphological type, the closed space of the book house is raised up, using the double-sloping roof form and slope of the local dwellings, as well as the traditional roofing and the grey tiles, but small adjustments were made on the roof ridge. It is deflected by 6.5°bringing a subtle morphological change to the roof, making one side of the roof higher than the other, and enabling the space to change through the inclination of the roof and the shelves.</p>
<p>In terms of materials, the bookcases use the modular structure of there-centimeter thick pinewood and is controlled by a unified modular scale language. The vertical frame of the bookshelf and the structural beam of the roof are in one-to-one correspondence, forming an overall language logic system. On the outer façade, the relatively rare sun panels in the village make the whole house translucent, and the light in the room becomes gentle through the solar panels, creating a comfortable environment for reading. The translucent material allows readers inside to have a glimpse of the outdoor landscape, achieving a semi-transparent spatial experience and atmosphere.</p>
<p>Many architects are unfamiliar with the countryside, but they also make attempts to design. We are the same. We are the same. With the hope of exploration and integration, we try to intervene in the countryside as architects. In many cases, the inspiration not only comes from the intuitive judgment of the architect but is also rooted in the countryside itself, so that the locality and creativity can connect well. In fact, there are no standards for the countryside, no fixed rules, no uniqueness, and good or bad can only be judged by the village itself. I hope this will be a good start.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/08/20/mountain-house-in-mist/">Mountain House in Mist</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Studio SDS</title>
		<link>https://globalspaces.eu/2023/05/26/studio-sds/</link>
					<comments>https://globalspaces.eu/2023/05/26/studio-sds/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 26 May 2023 17:29:38 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Graux & Baeyens]]></category>
		<category><![CDATA[Jeroen Verrecht]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90037</guid>

					<description><![CDATA[<p>The project involves the Belgian artist Stief Desmet&#8217;s painting and sculpting studio. On the street side you will find the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/05/26/studio-sds/">Studio SDS</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/graux-baeyens">Graux &amp; Baeyens</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/jeroen-verrecht">Jeroen Verrecht</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Deinze,&nbsp;<a href="https://globalspaces.eu/country/belgium">Belgium</a></p>
<p>The project involves the Belgian artist Stief Desmet&#8217;s painting and sculpting studio. On the street side you will find the family home, flanked on the left by a narrow brick garage. On the right side there is a lower studio and studio that no longer meets the expectations of the artist who creates ever larger sculptures. The site is characterized by organically grown buildings that vary greatly in terms of materials and finish. The new atelier consists of a primarily double-height brick volume, partly embraced by lower secondary buildings.</p>
<p>The primary volume has a symmetrical floor plan that aspires peace and serenity. The sober but brutal materialization supports the function that it includes. Both narrow vertical gate doors vary in width and give the opportunity to realize large sculptures. The corner window forms a place within a place that is a resting point within the large space. The study area is located at the back with a view of the vast nature.</p>
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<p>Together with the other buildings, a congruent story has been managed in which the whole has a reinforcing effect on the components. The use of materials seeks connection to the main house, the adjacent stables and brooks without falling into copying. The sloping location allows an inner court to be formed without closing off from the natural garden behind it.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/05/26/studio-sds/">Studio SDS</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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