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	<title>Chile archivos - Global Spaces</title>
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	<title>Chile archivos - Global Spaces</title>
	<link>https://globalspaces.eu/country/chile/</link>
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	<item>
		<title>Three housing units</title>
		<link>https://globalspaces.eu/2025/04/13/three-housing-units/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 13 Apr 2025 16:10:27 +0000</pubDate>
				<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Bruno Giliberto]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Oficina Bravo]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98063</guid>

					<description><![CDATA[<p>The project involved transforming a 1935 house, featuring a continuous façade and two stories designed by architect Fernando Calvo Larraín, [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/three-housing-units/">Three housing units</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/oficina-bravo">Oficina Bravo</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/bruno-giliberto">Bruno Giliberto</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2021&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Santiago,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>The project involved transforming a 1935 house, featuring a continuous façade and two stories designed by architect Fernando Calvo Larraín, into a set of three independent units: two small apartments and one house with garden access.</p>
<p>Taking advantage of the original structure—composed of simple masonry walls—the floor plan was divided into two halves, placing the main unit to the north and the two apartments to the south. In this way, the smaller apartments share a common entrance through the front garden, while the main unit has its own entrance and direct access to the northern garden.</p>
<p>With this new configuration, it was necessary to replace the spaces lost by the main unit. To achieve this, a new steel and glass pavilion was built to restore the kitchen and staircase area. This redesign redefines the relationship between the interior and the garden and becomes the main space of the new home.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/three-housing-units/">Three housing units</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>NAVE</title>
		<link>https://globalspaces.eu/2024/02/28/nave/</link>
					<comments>https://globalspaces.eu/2024/02/28/nave/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 28 Feb 2024 12:51:07 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Cristobal Palma]]></category>
		<category><![CDATA[Smiljan Radić]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=93077</guid>

					<description><![CDATA[<p>The project for this experimental arts hall proposes an emptying operation, in which the same municipal regulations that halted the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/28/nave/">NAVE</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/smiljan-radic">Smiljan Radić</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cristobal-palma">Cristobal Palma</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2010-2014&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Santiago de Chile,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>The project for this experimental arts hall proposes an emptying operation, in which the same municipal regulations that halted the building’s renovation and brought on its current disrepair are used to our advantage. The façade is the only structure that remained partially intact after the fire in 2006 and the earthquake in 2010. These disasters opened up the interior and forever erased the remains of eight houses that had occupied the site.</p>
<p>The project totally empties the property, reproducing the original façade until it is complete in every detail, making it a sort of friendly disguise. The city can be seen from inside through the gaps, forming part of the backdrop for some of the events. Few structural elements touch the ground on the first floor: the lift, a staircase and the support wall for mobile tiers. </p>
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<p>The pathway for the dramatised audience hangs from a central girder and culminates on the roof-terrace, proposed for a popular circus. Everything seems to have been measured from above. The circus is the first, the most primitive and the most austere place imaginable for shows. A strange objet trouvé, far from its home, will appear above the theatre, a source of delight for the neighbourhood. The rehearsal rooms, offices and services occupy other houses in the complex, transforming the entire building as it stands into a new internally interrelated organism.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/02/28/nave/">NAVE</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Hatch House</title>
		<link>https://globalspaces.eu/2023/09/21/hatch-house/</link>
					<comments>https://globalspaces.eu/2023/09/21/hatch-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 21 Sep 2023 10:33:48 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Boza Wilson]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Cristian Boza Wilson]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=91321</guid>

					<description><![CDATA[<p>The hatch house is located in an ecological reserve that stands out for its important floristic convergence with the forest [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/09/21/hatch-house/">Hatch House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/boza-wilson">Boza Wilson</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cristian-boza-wilson">Cristian Boza Wilson</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2020&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Hijuelas,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>The hatch house is located in an ecological reserve that stands out for its important floristic convergence with the forest and sclerophyllous scrub, in addition to the imposing Chilean palms. In an abrupt location, between the valley and the coastal mountain range, a hermetic and introspective volume sits on the edge of a ravine that faces the El Roble hill. The condition of a natural viewpoint towards the valley of flowers and the sunsets of multicolored rocky peaks transforms the house into a ship that is about to take flight.</p>
<p>The house is planned as a container of programs structured around a central space that houses the common areas (living room, dining room and kitchen) with an east-west orientation. The perimeter furniture made of structural plywood made on site is in turn an equipped partition that houses the shelves, libraries, kitchen and closets. Behind them the four pieces are organized. In the core is the “hatch” that leads to the viewing terrace. With this configuration, a plan with a fluid and unitary spatiality is obtained, generating a garden towards the mountain as a viewing terrace towards the valley.</p>
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<p>The result is a symmetrical floor plan, almost like a mirror, that generates openings in its four orientations, transforming the house into an enclosure with views in all its orientations. A “black” box with five landscape paintings that are complemented by different lighting qualities according to temporal variables. On the other hand, thermal comfort is protected thanks to the entrance openings, including the skylight that functions as a natural chimney, passively dissipating the dry heat typical of the area.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/09/21/hatch-house/">Hatch House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Cerro Ñielol Viewpoint</title>
		<link>https://globalspaces.eu/2023/09/13/cerro-nielol-viewpoint/</link>
					<comments>https://globalspaces.eu/2023/09/13/cerro-nielol-viewpoint/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 13 Sep 2023 12:13:12 +0000</pubDate>
				<category><![CDATA[Landscape & Urbanism]]></category>
		<category><![CDATA[Andrew Pielage]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Jaime Inostroza]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=91264</guid>

					<description><![CDATA[<p>Just a seven-minute walk from the center of Temuco you reach the main entrance to Cerro Ñielol on Prat Street. [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/09/13/cerro-nielol-viewpoint/">Cerro Ñielol Viewpoint</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/jaime-inostroza">Jaime Inostroza</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/andrew-pielage">Andrew Pielage</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2021&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Temuco,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>Just a seven-minute walk from the center of Temuco you reach the main entrance to Cerro Ñielol on Prat Street. This axis links the foot of the hill and the other edge of the city, the Cautín River. In Chile there are only seventeen declared natural monuments and one of them is Cerro Ñielol. As Cerro Ñielol rises, it subtly departs along a winding path that follows the contour lines of the existing topography. This path formed by the density of shadow of the foliage of native trees is suddenly illuminated by rays of light, leaving the inhabitant foreshortened with windows of landscapes that look at the city of Temuco.</p>
<p>Reaching its summit at elevation 230, above sea level, the architectural procession is established by a staircase that gives the measure and distance to reach the large terrace, a horizontal one on a summit. By having a horizontal on a summit it becomes an architectural fact and the gaze is elevated over the domain of the territory, giving the size, scale and magnitude of the city&#8217;s valley, configuring its identity. The morphology of this valley is established, where the void is measured by the Conunhueno hill that faces the Ñielol hill, and in its lower part, like a diagonal avenue of water, you can glimpse the Cautín River. So how can we build an architectural work to inhabit the act of rising in an aerial profile and that manages to frame the landscape of this territory?</p>
<p>Returning to an identity typical of the ancient habitation of Temuco, the old houses had a Zaguán; a double door before entering the privacy of the home. This small backlit place left a door with cathedral glass; a veil of light that allowed a glimpse without discovering an interior. Therefore, when walking from the street, the step was shortened by glimpsing a silhouette of an interior. This observation of the ancient habitation of Temuco was what we wanted to rescue.</p>
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<p>From my experience building and designing “The Atalaya Shelter” in Taliesin West (the work of architect Frank Lloyd Wright), I try to explore a principle in architecture of how it can be elevated, or suspended and at the same time as the sequence of arrivals. , becomes an architectural procession where the inhabitant&#8217;s experience between full and empty is qualified by light. This makes up the place and the location. The project tried to find a measure, a scale between the sky, the tree and the existing platform.</p>
<p>The previous viewpoint was already forty years old with evident structural deterioration. Based on the structural and architectural study, it was established to recover and reinforce the extending concrete bases and preserve the four existing cypress pillars and from that to form a new body, using Oregon pine wood. The project in its upper part is a complete renovation of the existing viewpoint structure. The joints and links were used structural screws from Rothoblaas.</p>
<p>From a base of four meters by four meters, a double height is established, which incorporates a bridge as the main access. This defines a threshold from shadow to light. Then, when the visitor walks from a compressed space, the space expands and the height of the work appears; and the eye measures. On its first level, with a continuous lower window, it allows the visitor to sit and contemplate the city, from its aerial geography. This height is qualified by the wooden brise soleil, which like veils of light allows us to see without discovering the foliage of the landscape of the native forest of the place. Then, the second level is linked by means of the staircase that creates an architectural element from the interior to the exterior, ending in the upper balcony, which makes up the second level. The inhabitant is now elevated in the aerial profile of the summit.</p>
<p>When commenting on this small project to Fernando Pérez Oyarzun, he mentioned that Alberto Cruz spoke of “Height and Altitude.” In a certain way, the project builds a new altitude for the city of Temuco and becomes an urban meeting space and a gift for the inhabitant. As Frank Lloyd Wright said in his book, The Future of Architecture: “If the thing is successful (the architect&#8217;s effort) you cannot imagine that house or that work anywhere other than right where it is. It is a grace to its surroundings in the place, rather than a disgrace to it.&#8221; The project became a gift to the place.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/09/13/cerro-nielol-viewpoint/">Cerro Ñielol Viewpoint</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Quebrada Honda House</title>
		<link>https://globalspaces.eu/2023/08/07/90649/</link>
					<comments>https://globalspaces.eu/2023/08/07/90649/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 07 Aug 2023 14:40:55 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Abarca Palma Arquitectos]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Cristóbal Noguera]]></category>
		<category><![CDATA[Pablo Casals-Aguirre]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90649</guid>

					<description><![CDATA[<p>Single-family home located in the Frutillar commune, X Region, in the rural sector of Bahía Domeyko, located in front of [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/08/07/90649/">Quebrada Honda House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/abarca-palma-arquitectos">Abarca Palma Arquitectos</a>&nbsp;<a href="https://globalspaces.eu/architect/cristobal-noguera">Cristóbal Noguera</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/pablo-casals-aguirre">Pablo Casals-Aguirre</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2021&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Frutillar,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>Single-family home located in the Frutillar commune, X Region, in the rural sector of Bahía Domeyko, located in front of Lake Llanquihue on the southern slope of the bay. These two characteristics of the context define the layout of the rooms and the staggered shape of the house. Given the need to have the most public venues with a frontal view of the lake, the main spaces are arranged on the front.</p>
<p>Likewise, the staggered strategy responds to the topography of the hillside with a volume that descends diagonally to the terrain, maximizing the capture of northern sun to counteract the few hours of the location with views to the south. These levels are descending from the most private to the most public.</p>
<p>The first three are only separated by half levels, leaving the master bedroom in the first, children&#8217;s bedrooms and study room in the second. Kitchen, loggia, dining room and living room on the third, as the most public level, which opens completely to the lake, leaving the fourth for storage, parking and main access.</p>
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<p>Spatially, the three interior levels are understood as a sequence of spaces connected by a side staircase that intermittently descends, resulting in a continuous space on the north façade of the house. The volume considers a greater opening in its north, west and east façades, through the exposed wooden and glazed structure.</p>
<p>In turn, the south façade is worked with punctual and directed operations. The entire volume is inscribed under a roof inclined in relation to the slope, which protects from rain and wind with perimeter eaves. The constructive proposal consists of a mixed prefabricated system based on SIP panels as a thermal envelope of slab, wall and roof with 160mm of insulation.</p>
<p>This is combined with wooden structures for pillars, diagonals, beams and window centers. Foundations and containments are made up of a reinforced concrete wall at the base and a system of isolated foundations on the upper platforms, which support a structure of steel and wood beams that receive the SIP slab on each platform. In the interiors, the woods combined with a white finishing base for walls and ceilings are shown.</p>
<p>The corrugated zinc exterior cladding, both on the façade and on the roof, provides material continuity on all its opaque faces, combining exposed wooden elements behind the glass façades.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/08/07/90649/">Quebrada Honda House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Luna House</title>
		<link>https://globalspaces.eu/2023/06/08/90170/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 08 Jun 2023 09:47:24 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Pezo von Ellrichshausen]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90170</guid>

					<description><![CDATA[<p>This is a large and small building at the foot of the Andes mountains. In fact, it is an aggregate [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/06/08/90170/">Luna House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/pezo-von-ellrichshausen">Pezo von Ellrichshausen</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/pezo-von-ellrichshausen">Pezo von Ellrichshausen</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2002&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Yungay,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>This is a large and small building at the foot of the Andes mountains. In fact, it is an aggregate of twelve different buildings separated from each other by visible seismic joints. Saying that this collection of concrete blocks is a house would be too simple. Saying that it is a palace would be too humble. Beyond its secular kind, this group of buildings is rather a cloister.</p>
<p>It has a severe outline, (once more) a square footprint divided by an asymmetrical cross, with rooms at the perimeter and at its core. These rooms form a horizontal extension around four distinct courtyards: an elongated one following the natural terrain together with the sunrise and sunset; another long one totally flat and paved facing north; a non-directional one filled with a circular flower garden; and one more thrice its size that holds a pond and some old trees.</p>
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<p>The name of this intricate structure is given by the size of that bigger courtyard, which is equivalent to the size of a bullring (called medialuna in Chilean rural tradition).</p>
<p>The spatial quality of every room, both interior and exterior, is punctuated by singular openings in multiple directions, thus establishing a faint functional division: there is almost no contrast between those rooms for living and those for working (from painting to gardening). In some corners, there are accents of intimacy, while in others the weight, emptiness, and opacity become somewhat monumental.</p>
<p>The extended format of the system makes the horizontal flatness of the roof evident, although with an almost imperceptible transition from one to two floors. Its fortress-like presence, despite the exaggerated lack of thickness of its concrete walls, is divided by horizontal strata of regular cornices. In opposition to those rough surfaces, the patio walls are crowned by bold eaves, some of them rounded, some of them straight.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/06/08/90170/">Luna House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Painting studio</title>
		<link>https://globalspaces.eu/2023/03/06/painting-studio-2/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 06 Mar 2023 10:20:29 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Felipe Assadi and Francisca Pulido]]></category>
		<category><![CDATA[Fernando Alda]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=88739</guid>

					<description><![CDATA[<p>The painter&#8217;s studio has been erected to one side of a house in Bahía Azul. A small space, it appears [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/03/06/painting-studio-2/">Painting studio</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/felipe-assadi-francisca-pulido">Felipe Assadi Francisca Pulido</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/fernando-alda">Fernando Alda</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2014&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Bahía Azul,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>The painter&#8217;s studio has been erected to one side of a house in Bahía Azul. A small space, it appears to be a prolongation of the terrain when seen from the entrance, but from the slope it stands out as a piece embedded in the hillside.</p>
<p>The space, ultimately conceived as the prolongation of its own window frame, mediates between the sea and an interior garden located at the entrance. Reached by a narrow staircase, excavated out of the rock, it leaves the user in complete isolation.</p>
<p>It is a sort of retreat from the surrounding constructions, basically just a wall with indirect sunlight entering from above to paint by.</p>
<p>The rigidity and horizontality of the design reinforce the diagonal lines of the main house.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2023/03/06/painting-studio-2/">Painting studio</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Industrialized Building System Prototype</title>
		<link>https://globalspaces.eu/2023/01/22/the-andes-house/</link>
					<comments>https://globalspaces.eu/2023/01/22/the-andes-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 22 Jan 2023 09:00:28 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Cristóbal Valdés]]></category>
		<category><![CDATA[Ignacio Rojas Hirigoyen]]></category>
		<category><![CDATA[Marcos Zegers]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=87991</guid>

					<description><![CDATA[<p>Designed by the architect Ignacio Rojas Hirigoyen together with The Andes House, this project seeks to provide an affordable solution [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/01/22/the-andes-house/">Industrialized Building System Prototype</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/ignacio-rojas-hirigoyen">Ignacio Rojas Hirigoyen</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cristobal-valdes">Cristóbal Valdés</a><a href="https://globalspaces.eu/photographer/marcos-zegers">Marcos Zegers</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Casablanca,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>Designed by the architect Ignacio Rojas Hirigoyen together with The Andes House, this project seeks to provide an affordable solution to the shortage of decent housing that affects Chile and Latin America, through a flexible modular construction system that is quickly and efficiently executed. With prefabricated parts that allow different configurations, the model can be expanded horizontally and vertically, accommodating other uses, and disassembled to be reused in a new location. This constructive solution includes recycled materials, taking advantage of their sincerity and aesthetic value in an austere architecture.</p>
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<p>In Casablanca, a commune on the central coast of Chile belonging to the province and region of Valparaíso, this 85-square-meter house is located. With a gabled roof, the elevated prototype above ground level presents a simple, light and resistant metal structure. Units are anchored with wedges, internal laminated wood cladding and external corrugated metal panels.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/01/22/the-andes-house/">Industrialized Building System Prototype</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>House in Bahía Azul</title>
		<link>https://globalspaces.eu/2023/01/19/house-in-bahia-azul/</link>
					<comments>https://globalspaces.eu/2023/01/19/house-in-bahia-azul/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 19 Jan 2023 21:19:30 +0000</pubDate>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Cecilia Puga]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Roland Halbe]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=88072</guid>

					<description><![CDATA[<p>The construction appears leaning out on the seashore, like the stations on the shore of the train line to the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/01/19/house-in-bahia-azul/">House in Bahía Azul</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/cecilia-puga">Cecilia Puga</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/roland-halbe">Roland Halbe</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2017&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Bahía Azul,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>The construction appears leaning out on the seashore, like the stations on the shore of the train line to the north of Chile, where after having fallen into disuse only the solid has remained. Everything &#8220;perishable&#8221; has succumbed to looting and time. Containers emptied of everything, with their only rectangular perforations in the walls, distributed along an imaginary line.</p>
<p>The project was approached independently from the specific location and it was decided to break up the program separating bedrooms, dining room-kitchen and living room in order to ensure total independence between them. Monolithic reinforced concrete containers were designed with a perforation regime that ensured versatility of placement and association between the volumes, which were not pre-determined.</p>
<p><em>Text provided by the architect.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2023/01/19/house-in-bahia-azul/">House in Bahía Azul</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Hualle House</title>
		<link>https://globalspaces.eu/2023/01/19/hualle-house/</link>
					<comments>https://globalspaces.eu/2023/01/19/hualle-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 19 Jan 2023 20:49:30 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Ampuero Yutronic]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Felipe Fontecilla]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=88041</guid>

					<description><![CDATA[<p>Hualle House is a 230m2 family home located in the southern Araucania region of Chile, renowned for its natural beauty. [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/01/19/hualle-house/">Hualle House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/ampuero-yutronic">Ampuero Yutronic</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/felipe-fontecilla">Felipe Fontecilla</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Pucón,&nbsp;<a href="https://globalspaces.eu/country/chile">Chile</a></p>
<p>Hualle House is a 230m2 family home located in the southern Araucania region of Chile, renowned for its natural beauty.</p>
<p><strong>Place Response</strong><br />
The house sits on the central brow of the land, taking advantage of the aspect afforded on all sides by this elevated position. Approaching by road the house appears as a prominent simple black form on the hillside, reminiscent of large agricultural pitched-roof sheds found in the area.<br />
Sitting on a gently sloping site in the rural foothills of the Villarrica volcano and the lake below, the house embraces this natural environment and the outstanding views afforded by its privileged setting. The two-storey building form and orientation is a response to this sloping terrain of the land and the microclimate of the area. </p>
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<p><strong>Building Form</strong><br />
Initially conceived as a simple rectangular volume, the design evolved through a series of manipulations and interventions to create the more sculptural form of the building:<br />
1.Extending the building footprint on the south side, creating an irregular floor plan and volume;<br />
2.Cut-out in the volume to signify the entrance;<br />
3.Recess to the north facing glazing at ground level;<br />
4.Roof geometry transformed into a series of folding planes.</p>
<p><strong>Material and Construction Elements</strong><br />
The house is clad in vertical dark-stained softwood slats to resemble some of the buildings in the area that are clad in the black volcanic stone of the region. Dictated by the internal views to the outside landscape, the windows vary in size and position, creating a seemingly random composition on the building exterior.<br />
In contrast to the dark exterior, the interior walls are lined in pale, almost white, stained plywood. The warmer color of the natural wood surrounds of the windows, which line the entire depth of the wall, punctuate this interior blank canvas acting as picture frames to the outside views. Emulating the folding geometry of the roof structure, the ceiling flows sinuously for the entire length of the interior. Exposed concrete floors, incorporating black volcanic aggregate, contrast with the pale walls and ceiling.</p>
<p><strong>Interior Arrangement</strong><br />
The accommodation of the house is arranged simply around a central double height volume. This central space is orientated on a north-south axis with large glazed openings exploiting the views of the volcano and the lake. The north glazing, a series of opening metal-framed sliding doors, takes advantage of the low winter sun entering deep into the space, which is otherwise protected during the summer months by the external overhang of the building. This central space is the social heart of the home, accommodating the kitchen, dining and living space at ground level. Two separate guest bedrooms and bathrooms are located at ground level to either side of this space on the east and the west sides of the house. The master bedroom and bathroom on the first floor is accessed by stair via the studio, library and gallery walkway that overlook the main central space. </p>
<p><strong>Sustainability/Energy Strategy</strong><br />
Due to its remote location the house seeks to be as environmentally self-sufficient as possible. This is achieved by a series of passive measures and interventions;<br />
-building orientation and highly insulated exterior (beyond regulatory requirements);<br />
-window sizes &#038; positions that maximise or minimise solar gain where beneficial;<br />
-utilising the thermal mass of the interior exposed concrete surfaces to regulate the internal temperature;<br />
-heating primarily provided by a wood burning stove located in the heart of the house. This stove incorporates a unique filtration system which aims to minimize smoke being released into the external environment.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/01/19/hualle-house/">Hualle House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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