Relinquishing the pursuit of a literal interpretation of the pre-existent model, the design of the shutters seeks to address the new demands of functionality and comfort, allowing for their full or partial opening and placing them against a sliding wooden slat that, providing better ventilation, helps to ensure subtle changes of light in the readability of the façade. In a system intended to be harmonic, the granite structure never appears dissociated from the filling of its spans. The thickness of the façade is drawn by those same louvered doors that, when open, reveal the interior space.

That area, directly linked to the new granite paved threshing floor space is, after all, the key player of the architectural experience, and without it, everything else would be meaningless.

Text provided by the architect.

Having identified the site, a pragmatic analyse of the circumstances was in order: the demands of the program were a house for a couple and child, a visitor’s suit preferably dislocated from the house as also should be the storehouse for the water-ski activities holding a shower, bathroom and storage area.

The area of the house, inevitably small, was specified by the reduced dimension of the pre-existent ruin. Thus, the first sketches of the solution appear in its dependence… Meanwhile, the fundamental decision revealed itself through the house orientation. Its final location on site, at right angles to the slop seeks for a better relation with the plot and the platform where it “lays”, avoiding all trees and damage to the outside area. The weightless intervention enhanced by the overhanging part that shoots off the riverbank cliff maximizes the transparent appearance from the river reducing land occupancy.

The house makes a dialectic reference to Malaparte House by Adalberto Libera and the remarkable table Less by Jean Nouvel, suggesting the constructive solution for the top of the hanging part.

As a half-buried house in its relation to the main access it appears diminished; on the other hand, from the river it appears as a glass frame dissimulated on the vegetation. The relation established by the house and ruin defines both the access and the scale of the intervention, transforming the ruin into a constant presence from the inside of the house such as any other landscape element.

The concrete plasticity in relation with the luxuriant flora was determinant, therefore the careful concrete cast drawing. This concrete volume with accessible roof was entirely covered with birch on the inside and has grey self-levelled pavement.

Text provided by the architect.