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	<title>London archivos - Global Spaces</title>
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	<title>London archivos - Global Spaces</title>
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		<title>Sands End Arts and Community Center</title>
		<link>https://globalspaces.eu/2022/02/15/sands-end-arts-and-community-center/</link>
					<comments>https://globalspaces.eu/2022/02/15/sands-end-arts-and-community-center/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Tue, 15 Feb 2022 12:01:10 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Mæ]]></category>
		<category><![CDATA[Michael Dillon]]></category>
		<category><![CDATA[Rory Gardiner]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=84206</guid>

					<description><![CDATA[<p>A series of new public spaces are laid out in sequence from the street to park, closely connected with the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2022/02/15/sands-end-arts-and-community-center/">Sands End Arts and Community Center</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/mae">Mæ</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/michael-dillon">MIchael Dillon</a><a href="https://globalspaces.eu/photographer/rory-gardiner">Rory Gardiner</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2021&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			London,&nbsp;<a href="https://globalspaces.eu/country/united-kingdom">United Kingdom</a></p>
<p>A series of new public spaces are laid out in sequence from the street to park, closely connected with the new facility. Each space will have its own distinct and intimate character. The landscaping design took inspiration from exotic nurseries and the former horticultural use of the site, where structure and landscape were closely intertwined. At first users arrive into the entrance yard: this is a moment of orientation defining the transition from street into the centre’s landscaped fringes and the park setting — brick pavers and ground surfaces establish a pedestrian link between the new site and the park. Progressing to the lobby at the heart of the centre is a base from which users can continue their explorations; to the cafe, common room, hall and other facilities. The Lodge courtyard and terracing is the third part of the journey, providing outdoor seating and a vantage point to take in all the social activity. New planting, trees, hedges, green walls and wildlife habitats, create a shaded retreat from the street while enhancing the local biodiversity.</p>
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<p>The form of the building takes inspiration from the 19th century glasshouses — built by the preeminent horticulturalist James Veitch — that previously occupied the site at South Park. It frames new landscaped spaces and is designed to be sustainable not only because it has the potential for ongoing revenue generation, but also in terms of construction approach where we have used CLT and an innovative new brick made from waste products. This is the first time this product has been used in the UK.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2022/02/15/sands-end-arts-and-community-center/">Sands End Arts and Community Center</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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			</item>
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		<title>Kilburn Warehouse</title>
		<link>https://globalspaces.eu/2022/02/06/kilburn-warehouse-by-dyvik-kahlen-architects/</link>
					<comments>https://globalspaces.eu/2022/02/06/kilburn-warehouse-by-dyvik-kahlen-architects/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 06 Feb 2022 19:13:58 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Antoine Espinasseau]]></category>
		<category><![CDATA[Dyvik Kahlen]]></category>
		<category><![CDATA[London]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=83958</guid>

					<description><![CDATA[<p>Dyvik Kahlen Architects have converted this former warehouse, overlooking the Paddington Old Cemetery, into a contemporary and vibrant live/work unit [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2022/02/06/kilburn-warehouse-by-dyvik-kahlen-architects/">Kilburn Warehouse</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/dyvik-kahlen-architects">Dyvik Kahlen Architects</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/antoine-espinasseau">Antoine Espinasseau</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2019&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			London,&nbsp;<a href="https://globalspaces.eu/country/united-kingdom">United Kingdom</a></p>
<p>Dyvik Kahlen Architects have converted this former warehouse, overlooking the Paddington Old Cemetery, into a contemporary and vibrant live/work unit for an artist and his family. Warehouses for all their abundance of space and exposed, sexy steel roof trusses, don’t usually have much to offer in the window department. However, this one is flooded with natural light courtesy of the continuous array of windows along all four facades that deliver the light and generous feel of the original space. Skylights above and whitewashed timber floors add to the feeling of expansiveness. The original 200sqm open floor plan has been simply divided into five rooms. </p>
<p>Dyvik Kahlen have resisted the urge to make use of every square metre, essentially keeping the integrity of the ‘warehouse experience’ in place, creating an expanse of openness, uninterrupted by walls or corridors. The main space is arranged around a large central staircase that leads to an open living area and the kitchen. Towards one side, large double doors continuing the sequence of windows, lead to three bedrooms. Towards the other side, a series of columns define the transition to the living area as well as the bathroom and a larder. Two sliding doors are arranged along this threshold which allow you to close or open these rooms towards the central space.</p>
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<p>The material selection is simple and highly edited. Pale plywood doors and walls blend seamlessly together, creating a unified elevation. The same finish is used to detail the kitchen cupboards and bookshelves, so the eye isn’t pulled in multiple directions reading different finishes or colours. White perimeter walls team with the white ceiling and the matching powder coated exposed ceiling trusses, making the space read lighter and higher than it might otherwise. Pops of colour come from dark green and grey industrial pendant lighting, and from the freestanding 1940’s pistachio green shelving unit in the kitchen. Even the kitchen sink is tiled by the same simple square white tile that runs along the counter top, down and across the custom-made sink. The warehouse imparts an unusually peaceful atmosphere. It is devoid of some of the slickness and design intimidation we usually associate with New York lofts or inner-city London coolness. Instead, it is calming and easy on the eye. The perfect place for an artist to find their muse, for children to play uninterrupted in the wide-open areas of space and for the occupants to move freely knowing they are home.</p>
<p><em>Description provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2022/02/06/kilburn-warehouse-by-dyvik-kahlen-architects/">Kilburn Warehouse</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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