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	<title>Switzerland archivos - Global Spaces</title>
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	<title>Switzerland archivos - Global Spaces</title>
	<link>https://globalspaces.eu/country/switzerland/</link>
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	<item>
		<title>La Cretâ Farmhouse</title>
		<link>https://globalspaces.eu/2026/01/21/la-creta-farmhouse/</link>
					<comments>https://globalspaces.eu/2026/01/21/la-creta-farmhouse/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 21 Jan 2026 07:06:45 +0000</pubDate>
				<category><![CDATA[Interiors]]></category>
		<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Bard Yersin]]></category>
		<category><![CDATA[David Bard]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99825</guid>

					<description><![CDATA[<p>The project involves the transformation of an apartment occupying the rural part of an 18th-century farmhouse. Fribourg farmhouses of that [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2026/01/21/la-creta-farmhouse/">La Cretâ Farmhouse</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/bard-yersin">Bard Yersin</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/david-bard">David Bard</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2025&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Fribourg,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>The project involves the transformation of an apartment occupying the rural part of an 18th-century farmhouse.<br />
Fribourg farmhouses of that era housed both living quarters and farm functions under one roof. The rural section consisted of two stables flanking a central passageway — the fourragère — a through-space used for feeding livestock, which also benefited from additional height allowing hay to be stored above the stables.</p>
<p>The apartment, fitted out in 2011 by previous owners, resulted from a renovation that significantly altered the rural volume’s substance and nature. The original ceiling joists were replaced with a concrete slab, the wooden structure was substituted with masonry walls, and the roof framework removed in favour of glulam beams.</p>
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<p>The current project takes the form of a “re”- transformation of the barn based on subtraction, revealing the original qualities of the space. The main intervention restores the previous spatial character of the fourragère: partitions were removed to recover its through-configuration, and the slab was cut through its full depth to bring back its verticality.</p>
<p>The resulting layout follows a tripartite scheme: the central living space occupies the former fourragère, while service rooms and bedrooms are housed in structural bays on either side. Material choices reflect the same logic: pseudo-Tuscan finishes were replaced with white tiles reminiscent of milking rooms, and plaster was stripped to reveal the original textures underneath.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2026/01/21/la-creta-farmhouse/">La Cretâ Farmhouse</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Mühleweg housing</title>
		<link>https://globalspaces.eu/2025/10/30/muhleweg-housing/</link>
					<comments>https://globalspaces.eu/2025/10/30/muhleweg-housing/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 30 Oct 2025 12:15:15 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[BEM Architekten]]></category>
		<category><![CDATA[Jürg Zimmermann]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99620</guid>

					<description><![CDATA[<p>At the entrance to Endingen, the little river Surb forms a small landscape chamber between the hills that draw together [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/30/muhleweg-housing/">Mühleweg housing</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/bem-architekten">BEM Architekten</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/jurg-zimmermann">Jürg Zimmermann</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mühleweg,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>At the entrance to Endingen, the little river Surb forms a small landscape chamber between the hills that draw together in the valley. Inside this idyllic setting, one hardly notices the surrounding bustle of single-family homes and residential streets. Instead, it feels as though one were in a natural landscape: birds are singing, trees cast their shadows, and behind you rises a sun-warmed rock face.</p>
<p>Alongside the natural rock formation on the northern side, the river, and the mill canal, several buildings protected as cantonal monuments define the area. Together they form an ensemble that is listed in the national inventory of heritage sites of importance. With its elongated overall form, the project continues the structure of this ensemble and extends the existing built fabric. Toward the rock face, the articulation of the volume gives it the flexibility to follow the natural line of the ground and to create a series of spatial sequences full of tension and rhythm.</p>
<p>To integrate optimally into the complementary surroundings of the sunny south and rocky north, the main living spaces extend transversely through the building volume. Their dual orientation allows the entire landscape chamber to be experienced. The continuous living space is offset in such a way that two interlocking living areas are created.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/30/muhleweg-housing/">Mühleweg housing</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Lindenhof Multi-Family Wooden House</title>
		<link>https://globalspaces.eu/2025/10/12/lindenhof-multi-family-wooden-house/</link>
					<comments>https://globalspaces.eu/2025/10/12/lindenhof-multi-family-wooden-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 12 Oct 2025 15:45:53 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Lukas Imhof]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99420</guid>

					<description><![CDATA[<p>An alternative to “single-family homes» – communal living at Lindenhof. A fire destroyed the existing building down to its foundations. [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/12/lindenhof-multi-family-wooden-house/">Lindenhof Multi-Family Wooden House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/lukas-imhof">Lukas Imhof</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/hannes-heinzer">Hannes Heinzer</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2022&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Lindenhof,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>An alternative to “single-family homes» – communal living at Lindenhof. A fire destroyed the existing building down to its foundations. Our task was now to plan a new building that would restore the volumetry and appearance of the historic barn. However, as the farm is no longer used for agricultural purposes, but the ensemble is a listed building, the new replacement building was to be – if you like – a rebuilt version of the old barn. Rental apartments are being built that combine the qualities of single-family homes with those of communal living – and are affordable for families or flat-sharing communities without high incomes. (Rental price of Sfr. 2’100.- for 5.5 rooms on 165m²)</p>
<p>Communal living develops around a shared courtyard, which is also home to the existing, historic residential building and the coach house used by the residents for a variety of purposes. The exterior spaces of the apartments and the apartment entrances are all oriented towards the shared courtyard, in the center of which the historic fountain will be rebuilt. The path to the apartments always leads across the courtyard – there is no direct access to the apartment from the parking garage. The history of the burnt-down building is well documented: A high-quality and atypical timber-framed stable and farm building, probably built in 1829 by Georg Schadegg, was dismantled in 1947 down to the brick-built ground floor, parts of the internal structure and the two threshing floor passages and was extended with a new, then modern barn structure.</p>
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<p>The plinth, windows and the two doorways with their large gates were reused. This conglomerate building served as a reference for the new building in terms of volume, structure, materials, and motifs. The result is a newly built, converted old barn for living in. The volume provided by the previous building posed a problem for residential use: with normal story heights, there would have been only two usable stories. The floor slab of the third story, on the other hand, would be positioned so that the transition from the outer wall to the roof would be around 1.50 above the finished floor – a window in the outer wall would be too low, and a skylight too high.</p>
<p>We responded to this initial situation with a split-level solution – which we also mirrored alternately for each unit, creating two different types of apartments. One is more extroverted, with an extra-high living hall facing the courtyard. The two extra-high living halls facing the courtyard also replicate the two gateways of the historic barn in terms of space and opening behavior. A somewhat more introverted type has its living hall facing the landscape and the kitchen facing the courtyard. On the west façade, we then finish off the building with a special type that responds to the site-specific and organizational location on the narrow side of the structure.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2025/10/12/lindenhof-multi-family-wooden-house/">Lindenhof Multi-Family Wooden House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>School Bota</title>
		<link>https://globalspaces.eu/2025/10/11/school-bota/</link>
					<comments>https://globalspaces.eu/2025/10/11/school-bota/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sat, 11 Oct 2025 16:30:18 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Studio Lukas Raeber]]></category>
		<category><![CDATA[Switzerland]]></category>
		<category><![CDATA[Willem Pab]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99391</guid>

					<description><![CDATA[<p>The area encompassing the Bogenacker and Tannenbühl sites previously consisted of two primary school buildings and several small structures surrounding [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/11/school-bota/">School Bota</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/studio-lukas-raeber">Studio Lukas Raeber</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/willem-pab">Willem Pab</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2025&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Tannebühl,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>The area encompassing the Bogenacker and Tannenbühl sites previously consisted of two primary school buildings and several small structures surrounding an undefined central space. By reoccupying this central area, the new Dürnten school campus succeeds in uniting the school grounds, three kindergartens, and ten regular classes across three sites into a single entity. The central school building is newly constructed as a contemporary schoolhouse with three “naves.”  The access area — the center and “service nave” — features a spacious entrance hall and a grand staircase, built in exposed concrete. The two laterally arranged “side naves,” constructed using sustainable timber elements, form the flexible layer of functional spaces that house the classrooms. Continuous timber elements frame the rooms and provide a calm, cohesive appearance.<br />
The three-part structure is unified by a weathered timber facade and a projecting, continuous metal escape balcony.<br />
The school building is designed to be expandable in the future, thereby addressing sustainability and flexibility requirements.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/10/11/school-bota/">School Bota</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>MANAL Pavilion</title>
		<link>https://globalspaces.eu/2025/09/04/99212/</link>
					<comments>https://globalspaces.eu/2025/09/04/99212/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 04 Sep 2025 08:06:15 +0000</pubDate>
				<category><![CDATA[Sustainability]]></category>
		<category><![CDATA[Oxara]]></category>
		<category><![CDATA[Sara Sherif]]></category>
		<category><![CDATA[Stefan Wülser]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=99212</guid>

					<description><![CDATA[<p>Three years ago, the vision arose to realize a pavilion using Oxara’s low-CO₂, cement-free binders and admixtures – a pioneering [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/09/04/99212/">MANAL Pavilion</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/oxara">Oxara</a>&nbsp;<a href="https://globalspaces.eu/architect/stefan-wulser">Stefan Wülser</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/sara-sherif">Sara Sherif</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2025&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Lucerne,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>Three years ago, the vision arose to realize a pavilion using Oxara’s low-CO₂, cement-free binders and admixtures – a pioneering project conceived as a beacon for sustainable construction. The project presented numerous challenges, but through collaboration with leading industry players and research institutions, it was finally realized. Lucerne University of Applied Sciences and Arts (HSLU) agreed to host the pavilion for two years on its Horw campus, integrate it as a case study into the “Think Earth” research project, and gain valuable research data through measurements on the cast earth walls. At the same time, the structure serves as a practical example for interdisciplinary teaching projects and student design work.</p>
<p>Architecturally, the Manal Pavilion follows a clear material logic. The walls and columns combine the properties of rammed earth and concrete, with processing presenting its own unique challenges. The materials do not set but dry, which causes significant shrinkage and already required a precise strategy for dealing with tolerances during the design process. Planning was carried out by a transdisciplinary team that jointly developed architectural, structural, and material-technical issues. The resulting structure optimally utilizes the specific properties of the building materials used. The pavilion is based on a three-axis supporting structure, assembled from reused concrete slabs from a converted tunnel. The foundations and load-bearing walls consist of Oulesse Concrete, while the facades were filled with Nossim Cast Earth. The vaulted arches, which extend along the axes, are built from Oxabloc Earth Blocks and supplemented by steel tension rods that short-circuit the arch thrust. A wooden ring beam encloses the entire construction, while the roof slab is connected to the bracing walls by vertical steel cross-bracing. The construction shows that the materials developed by Oxara, in combination with other sustainable building materials, can achieve high performance, and the use of CO₂-intensive building materials can be almost completely avoided.·</p>
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<p>Sustainable Materials for a New Construction Method<br />
The material palette of the Manal Pavilion reflects the central concern of the project: the experimental use of resource-saving building materials. Oulesse Concrete, made from recycled mixed demolition waste and mineral salts, achieves a strength of 25 MPa after 28 days and saves up to 70 percent CO₂ compared to conventional structural concrete. The binder Oxacrete Oulesse is the result of years of research and was produced industrially for the first time in this project. Nossim Cast Earth consists of one-third clay and two-thirds conventional aggregate, supplemented by Oxacrete Nossim, which first liquefies the clay and then solidifies it. The clay source used in the construction was a filter cake – a clay-containing waste product from KIBAG’s gravel plant. The Oxabloc Earth Blocks, produced by Terrabloc, consist of excavated material stabilized with Oxabrick Loko to ensure a compressive strength of 10 MPa and water stability. For the first time, they were built into a vault in this project.</p>
<p>A Model for Resource-Efficient Construction<br />
The construction process itself was closely linked to the further development of the materials. The production and processing of the novel building materials placed high demands on industrial production, especially on adapting mixing processes in concrete plants. The experience gained is a decisive step for the scaling and standardization of these materials, which are intended to offer an environmentally friendly alternative to conventional building materials in the long term. In addition to material-technical innovation, the pavilion also sets architectural standards. Its polyrhythmic grid creates spatial diversity within the compact 50 m² footprint. The different spans of the vaulted arches create a multi-layered spatial structure that particularly emphasizes the interplay of structure and material. The clear articulation of the supporting structure makes the load transfer visible, while the sustainable building materials develop their own aesthetic quality. From the beginning, the building was planned as a temporary structure. Many components – including tunnel slabs, windows, corrugated roof sheets, and lamps – were reused or designated for future reuse. The concept follows the “Design-to-Dismantle” principle, thus providing an important impetus for resource-efficient construction that considers the entire life cycle of materials. Despite its small scale, the Manal Pavilion addresses fundamental questions of contemporary building culture and is an example of how sustainable building can be combined with architectural innovation.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2025/09/04/99212/">MANAL Pavilion</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Historic farmhouse knitted further</title>
		<link>https://globalspaces.eu/2025/05/09/historic-farmhouse-knitted-further/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 09 May 2025 08:32:38 +0000</pubDate>
				<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Fabien Schwartz]]></category>
		<category><![CDATA[jjadm Architektur]]></category>
		<category><![CDATA[Karin Gauch]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98348</guid>

					<description><![CDATA[<p>In Wangen (SZ) a heritage-listed wooden farmhouse, over 200 years old, has been revitalized. This largely preserved house underwent renovations [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/05/09/historic-farmhouse-knitted-further/">Historic farmhouse knitted further</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/jjadm-architektur">jjadm Architektur</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/fabien-schwartz">Fabien Schwartz</a><a href="https://globalspaces.eu/photographer/karin-gauch">Karin Gauch</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2025&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Wangen,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>In Wangen (SZ) a heritage-listed wooden farmhouse, over 200 years old, has been revitalized. This largely preserved house underwent renovations in close consultation with the heritage protection authority and has been transformed into a contemporary single- family residence.</p>
<p>JJAdM architects adressed the challenge of how to honor the historic structure while meeting modern requirements, through drawing inspiration from its original design for all their interventions. In the main house, they established a new circulation path connecting the ground floor to the top floor making use of only traditional building techniques. This new spatial design rises vertically above the kitchen, reinterpreting the original smoke kitchen concept. The exterior appearance has been preserved, with only age-related damages repaired, and the existing strickbauweise on the facade renewed. The old, unstable extension, has been replaced with a timber frame construction that mirrors the original form, thereby adding new living space to the historic layout of the house.</p>
<p>Nearly the entire spatial structure has been maintained, allowing us to create a surprisingly innovative environment for future generations.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/05/09/historic-farmhouse-knitted-further/">Historic farmhouse knitted further</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Villa M</title>
		<link>https://globalspaces.eu/2025/05/07/villa-m/</link>
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		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 07 May 2025 15:45:46 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Leopold Banchini Architects]]></category>
		<category><![CDATA[Rory Gardiner]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98301</guid>

					<description><![CDATA[<p>Ferdinand Hodler painted mountains reflected in Swiss lakes, again and again. He was obsessed with this double-inverted landscape, constantly evolving [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/05/07/villa-m/">Villa M</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/leopold-banchini-architects">Leopold Banchini Architects</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/rory-gardiner">Rory Gardiner</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2024&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mies,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>Ferdinand Hodler painted mountains reflected in Swiss lakes, again and again. He was obsessed with this double-inverted landscape, constantly evolving with the changing sky and the movement created by the wind blowing on the water&#8217;s surface. In 1867, aged 14, he painted his first lakes and sold them to passing tourists. In 1918, fifty years later, he died in Geneva, leaving behind a few unfinished sketches of Mont-Blanc reflected in Lake Geneva, as seen from his apartment balcony.</p>
<p>Villa Montasser sits beside the beautiful Lake Geneva, looking out at the Alps. As a reaction to the majestic landscape, the building tries to stay as simple and humble as possible. The long, plain façade is a blank canvas reflecting into a water basin of the same length. A singular long window opens onto a floating terrace, again of similar dimensions.</p>
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<p>The reflection of the chimney becomes the stairs, leading to the pool. An erratic block, carried by the ancient glaciers from the Alps to the lake shore, sits upon the water&#8217;s surface. The main façade is a symmetrical reflection, a tribute to the horizontal line separating the looming mountains and reflective lake in Hodler&#8217;s work.</p>
<p>The long rectangular plan, highly constrained by building regulations, develops on three levels. While the ground floor living spaces largely open out to the surroundings, the underground bedrooms open to an enclosed, inaccessible patio, filled with a thin layer of rainwater collected from the roof. The light bounces off the two basins before entering the house, projecting its dancing reflections onto the wooden walls and ceiling.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2025/05/07/villa-m/">Villa M</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>School Building Hofacker</title>
		<link>https://globalspaces.eu/2025/03/29/school-building-hofacker/</link>
					<comments>https://globalspaces.eu/2025/03/29/school-building-hofacker/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sat, 29 Mar 2025 17:50:24 +0000</pubDate>
				<category><![CDATA[Landscape & Urbanism]]></category>
		<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[E2A]]></category>
		<category><![CDATA[Rasmus Norlander]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=97816</guid>

					<description><![CDATA[<p>The Hofacker school grounds, in the Hirslanden district of Zurich, consist of the school building with a gymnasium by Friedrich [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/03/29/school-building-hofacker/">School Building Hofacker</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/e2a">E2A</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/rasmus-norlander">Rasmus Norlander</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2024&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Hirslanden,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>The Hofacker school grounds, in the Hirslanden district of Zurich, consist of the school building with a gymnasium by Friedrich Wehrli, built in 1898, and a second gymnasium wing from 1938, by city architect Hermann Herter.</p>
<p>These two existing school buildings stand like large and heavy cubes in the center of the plot, maintaining an appropriate distance to the residential buildings that surround them. Despite their architectural quality, for which the buildings have been listed and protected, the site could not fulfill the needs of a modern educational facility, and the buildings needed renovation. The school should also contain more public functions for the neighborhood in the future. In between the two protected buildings, a two-story new construction is inserted.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/03/29/school-building-hofacker/">School Building Hofacker</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Haus im Hof ​​Kleinbasel</title>
		<link>https://globalspaces.eu/2024/11/08/haus-im-hof-kleinbasel/</link>
					<comments>https://globalspaces.eu/2024/11/08/haus-im-hof-kleinbasel/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 08 Nov 2024 10:03:13 +0000</pubDate>
				<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Piertzovanis Toews]]></category>
		<category><![CDATA[Simone Bossi]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=96296</guid>

					<description><![CDATA[<p>As a residential quarter for the Kleinbasel workers, the Matthäusquartier was built in little more than a decade. Between 1890 [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/11/08/haus-im-hof-kleinbasel/">Haus im Hof ​​Kleinbasel</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/piertzovanis-toews">Piertzovanis Toews</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/simone-bossi">Simone Bossi</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Basel,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>As a residential quarter for the Kleinbasel workers, the Matthäusquartier was built in little more than a decade. Between 1890 and 1900, a district characterized by uniform perimeter block buildings was created within a short time. As in many backyards, a small commercial enterprise was located directly behind the residential building. The two-storey workshop has already undergone some changes over time and is now being extended to create additional living space under the roof. While retaining the ridge and eaves lines, the roof is folded open in the middle to get both more height and a new window strip. The existing materials are adapted and reused. The roof beams, the floorboards and the half-timbering remain part of the changed house and accompany it in a new guise into the next phase of life.</p>
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<p>In the workshop there was a woodturner&#8217;s shop, in which numerous wood products for the whole city were produced. Frames, railing rods, candlesticks, billiard sticks, but also drum mallets and ratchets for the Basel carnival. From the pool of many rods, some are selected to serve as a formwork for a unique pouring stone. The load of the entire roof is transferred with a central support, which, however, eludes static logic. In the most unfavorable form imaginable, the ring, rolled from steel, makes a plea for design beyond reason and enlightened striving for utility. Dissolved and covered with glittering lacquer like a jewel, this supporting figure, as the only visible static element, tells not of carrying and burdens, but of light and cheerfulness.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/11/08/haus-im-hof-kleinbasel/">Haus im Hof ​​Kleinbasel</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Green Meadow House</title>
		<link>https://globalspaces.eu/2024/07/19/green-meadow-house/</link>
					<comments>https://globalspaces.eu/2024/07/19/green-meadow-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Fri, 19 Jul 2024 15:56:58 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[CRRA]]></category>
		<category><![CDATA[Switzerland]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=95197</guid>

					<description><![CDATA[<p>The house for a young family of five is situated on a steep plot and consists of two volumes on [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/07/19/green-meadow-house/">Green Meadow House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/crra">CRRA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/crra">CRRA</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2024&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Reigoldswil,&nbsp;<a href="https://globalspaces.eu/country/switzerland">Switzerland</a></p>
<p>The house for a young family of five is situated on a steep plot and consists of two volumes on slightly different levels, connected by a ramp. The construction is designed for barrier-free movement, with all rooms accessible by wheelchair.</p>
<p><strong>A Home for a Young Family</strong></p>
<p>The lower, square area houses the open and freely usable living area with a terrace and the entrance. The elongated upper area contains the bathrooms, the technical core, and all the bedrooms. This zone can be flexibly adapted in the future, as no partition walls are structural. Instead of a garage and basement, a third, multi-purpose volume is constructed, which forms an ensemble together with the main house. The resulting indoor and outdoor spaces frame the views into the surrounding landscape: gentle hills, the cable car at the end of the valley, the meadows with fruit trees and the forest.</p>
<p><strong>Guests on the Meadow</strong></p>
<p>The house is constructed from prefabricated wooden elements and supported by steel screw foundations. It hovers above the meadow to minimize disturbance to its natural life. Water continues to seep through the entire plot, and plants and animals find their habitat under and around the house. At the end of its lifespan, the structure can be removed from the meadow without leaving any traces. This construction method saves approximately 30% of greenhouse gas emissions compared to conventionally founded wooden houses. Not only in the ground, but throughout the entire building, the use of concrete is completely avoided.</p>
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<p><strong>A Product of Its Environment</strong></p>
<p>Despite its unconventional form and foundation, the building is a product of its environment. It follows the natural topography of the site and relates to the landscape in its placement. The individual volumes take on the scale of residential and agricultural buildings their rural context. In terms of materialization and expression, the house references the pragmatic utility buildings in the region. The construction work was carried out by local companies using the techniques they excel at. A large part of the materials, such as the spruce wood facade cladding, the clay panels for the interior cladding, and the clay plaster, come from the immediate vicinity.</p>
<p><strong>(Un)Typical Single-Family House</strong></p>
<p>The house on the green meadow is an experiment in viewing the construction of a typical Swiss single-family home as a holistic project. It creates living space in strong connection with nature, relies on the constructive knowledge of local craftsmen, minimally disturbs the existing ecosystem, and reduces greenhouse gas emissions from construction and operation to a minimum. All this on a budget typical for a single-family house in Switzerland. The project aims to minimize the negative consequences of building on the green meadow and consciously questions the conventions of this building culture.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/07/19/green-meadow-house/">Green Meadow House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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