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	<title>PRODUCTORA archivos - Global Spaces</title>
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	<title>PRODUCTORA archivos - Global Spaces</title>
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		<title>CA22</title>
		<link>https://globalspaces.eu/2025/04/13/ca22/</link>
					<comments>https://globalspaces.eu/2025/04/13/ca22/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 13 Apr 2025 15:56:11 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[César Béjar]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[PRODUCTORA]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98043</guid>

					<description><![CDATA[<p>This residential building in the San Pedro de los Pinos neighborhood of Mexico City seeks to achieve high urban density [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/ca22/">CA22</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/productora">PRODUCTORA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cesar-bejar">César Béjar</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico City,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>This residential building in the San Pedro de los Pinos neighborhood of Mexico City seeks to achieve high urban density with 9 units on a lot that is 10m wide and 45m deep. In order to maximize the entry of light and avoid high and narrow ventilation cubes, 8 units were grouped vertically around 2 shared courtyards (the ninth unit faces the street). This scheme generates a typology of vertical units of 4 levels in which the staircase acts as a dynamic element that filters light into the depth of the dwelling. The vertical typology also allows each house to have a variety of outdoor spaces: a patio on the first floor, French balconies and a terrace on the intermediate levels and a roof garden.</p>
<p>These vertical units are accessed from a wide, high internal corridor, full of vegetation and open to the outdoors, thus avoiding stairs or public elevators in the complex. It is a meeting space in direct contact with the street through a large glazed facade and directly supervised by the doorman. Both the interior and exterior facades of the residential complex consist of a system of vertical brackets between which planters, railings and sunshades are placed to provide privacy and protect the interiors from the sun. These red corrugated sheet metal elements and the abundant vegetation generate kaleidoscopic urban courtyards of multiple levels, dimensions and perspectives.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/ca22/">CA22</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Teotitlán del Valle Cultural Center</title>
		<link>https://globalspaces.eu/2023/08/30/teotitlan-del-valle-cultural-center/</link>
					<comments>https://globalspaces.eu/2023/08/30/teotitlan-del-valle-cultural-center/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 30 Aug 2023 12:54:23 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[PRODUCTORA]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=91088</guid>

					<description><![CDATA[<p>This Community Cultural Center exhibits the archeological and textile wealth of Teotitlán del Valle, a village in the Mexican state [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/08/30/teotitlan-del-valle-cultural-center/">Teotitlán del Valle Cultural Center</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/productora">PRODUCTORA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/luis-gallardo">Luís Gallardo</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2017&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Teotitlán,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>This Community Cultural Center exhibits the archeological and textile wealth of Teotitlán del Valle, a village in the Mexican state of Oaxaca. The principal volume, facing the village square, houses the Museum which will host the collections and activities of the present Teotitlán Museum of History. In formal terms, the project is governed by the aesthetics of the immediate context, which determine the height, color, and materials used. The secondary volume contains the Municipal Library and a service zone. The area occupied by both buildings on the site represents just 18% of the whole surface area, leaving a large public space of plaza and gardens. This helps to improve the pedestrian routes passing across the site and connecting with the main square, inserting the new public spaces created by the Cultural Center into the circuit of existing plazas that define the urban structure of the village.</p>
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<p>The architectural volumes present austere, neutral façades. The form and material character of the building, including double-slab sloping roofs, 30 cm-thick concrete walls, and controlled openings, create a passive system that responds to the adverse climatic conditions. This basic strategy helps to regulate the temperature inside the building and provides users with a comfortable space to read a book, work or visit the museum, and at the same time eliminates the need to install air conditioning systems. The interiors present a diverse range of lighting conditions and spatial qualities (double and triple-height spaces), generating different atmospheres for exhibitions and activities. The Cultural Center uses a minimal palette of locally made materials (pigmented concrete, timber, clay tiles and bricks) in order to blend into its context.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/08/30/teotitlan-del-valle-cultural-center/">Teotitlán del Valle Cultural Center</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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			</item>
		<item>
		<title>La Laguna</title>
		<link>https://globalspaces.eu/2023/07/13/la-laguna/</link>
					<comments>https://globalspaces.eu/2023/07/13/la-laguna/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 13 Jul 2023 11:42:47 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Camila Cossio]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[PRODUCTORA]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90487</guid>

					<description><![CDATA[<p>La Laguna is a former textile and yarn factory built in the 1920s in Mexico City’s Doctores neighborhood. The design [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/07/13/la-laguna/">La Laguna</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/productora">PRODUCTORA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/camila-cossio">Camila Cossio</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico City,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>La Laguna is a former textile and yarn factory built in the 1920s in Mexico City’s Doctores neighborhood. The design involves the deteriorated factory’s recovery and enhancement into the vibrant complex that currently houses more than 25 motley creative and productive firms (including carpentry and textile workshops, coffee brewers, and ceramics studios, among others).</p>
<p>Although the historic building is not cataloged, the intervention project proposes to preserve the original exterior facades and focus on the interior courtyards that had accumulated a large amount of equipment, roofs, and annexes over time, losing its function as a spatial connector between the different areas of the complex. The reconversion strategy was designed to be implemented gradually, over the course of several years (more than ten years), and with a flexible group of tenants using the complex simultaneously.</p>
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<p>The renovated complex is organized around two rehabilitated courtyards of different sizes and characteristics, giving continuity to the old facades with their robust concrete structure and unique square ironwork grid. This fundamental strategy is complemented by specific architectural interventions to improve the operation and distribution of the horizontal and vertical circulations, generating a promenade that motivates visitors to discover the entire complex. It incorporates new restroom areas, new stairwells, a new freight elevator, and constructing several additional buildings and warehouses to complement the complex. Finally, we decided to reuse the green color present in the architectural elements of the old building and in the old weaving machines to define a new chromatic identity for Laguna.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/07/13/la-laguna/">La Laguna</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></content:encoded>
					
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