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	<title>Mexico archivos - Global Spaces</title>
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	<title>Mexico archivos - Global Spaces</title>
	<link>https://globalspaces.eu/tag/mexico/</link>
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	<item>
		<title>Toronjos</title>
		<link>https://globalspaces.eu/2026/03/31/toronjos/</link>
					<comments>https://globalspaces.eu/2026/03/31/toronjos/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 12:03:17 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Fabián Martínez]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[PPAA Pérez Palacios Arquitectos]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=100064</guid>

					<description><![CDATA[<p>Toronjos is a vacation home designed to harmonize with its natural surroundings. From its inception, the project prioritized a minimal [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2026/03/31/toronjos/">Toronjos</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/ppaa-perez-palacios-arquitectos">PPAA Pérez Palacios Arquitectos</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/fabian-martinez">Fabián Martínez</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2024&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>Toronjos is a vacation home designed to harmonize with its natural surroundings. From its inception, the project prioritized a minimal footprint and a fully sustainable design.</p>
<p>The house is a sanctuary that fosters a connection with nature. A series of staggered walls and large openings along the perimeter provide protection and enclosure, while simultaneously allowing the landscape to flow through the architecture. This strategy promotes not only ventilation and natural light, but also a continuous and intimate connection with the outdoors.</p>
<p>More than just a piece of architecture, the house becomes a space for contemplation and serenity, where nature takes center stage. Every corner frames and celebrates the surrounding views, especially those of the lake. This body of water not only enriches the landscape visually, but also serves an environmental function by collecting rainwater and regenerating the site&#8217;s ecosystem, reinforcing the project&#8217;s sustainable character.</p>
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<p>The house is arranged on a single level, organized around relaxation and enjoyment. Social and contemplative spaces were prioritized, such as large rooms open to the landscape and areas with hammocks that invite moments of pause and connection with nature. The goal of Toronjos is clear: to enjoy and preserve the natural landscape.</p>
<p>The commitment to sustainability is evident in every aspect of the project. Local materials and regional labor were used, reducing the carbon footprint and strengthening the site&#8217;s identity. The structure combines adobe and wooden beams, which were left exposed to add warmth. The floor was handcrafted with adobe produced on-site, and the walls are finished with an adobe plaster that harmonizes with the surrounding color palette.</p>
<p>Toronjos is, essentially, architecture that doesn&#8217;t dominate. It blends seamlessly with the landscape, enhancing it and becoming a natural extension of it. The building doesn&#8217;t seek to stand out, but rather to disappear among the vegetation, water, and earth, embodying a way of living in harmony with the environment.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2026/03/31/toronjos/">Toronjos</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Plumbago</title>
		<link>https://globalspaces.eu/2025/05/21/plumbago/</link>
					<comments>https://globalspaces.eu/2025/05/21/plumbago/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 21 May 2025 10:15:52 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Interiors]]></category>
		<category><![CDATA[Ariadna Polo]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Oficina de Práctica Arquitectónica]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98470</guid>

					<description><![CDATA[<p>Mexican Architecture studio, Oficina de Práctica Arquitectónica has completed Plumbago, a Mediterranean-inspired restaurant and cultural venue located in the vibrant [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/05/21/plumbago/">Plumbago</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/oficina-de-practica-arquitectonica">Oficina de Práctica Arquitectónica</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/ariadna-polo">Ariadna Polo</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2025&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico City,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>Mexican Architecture studio, Oficina de Práctica Arquitectónica has completed Plumbago, a Mediterranean-inspired restaurant and cultural venue located in the vibrant Cuauhtémoc neighborhood of Mexico City.</p>
<p>Set in a compact infill plot within one of the capital’s most vibrant culinary districts, Plumbago’s minimalist design uses a carefully curated selection of raw materials and precise construction techniques to bring texture and invite natural light into a simple and welcoming open space.</p>
<p>The small, former derelict site sits in between two high rise buildings just feet away from busy Reforma Avenue, the city’s financial district. The new venue provides a human scale, contrasting with the adjacent corporate feel of the nearby buildings and is composed of two main spaces enclosed by parallel pitched-roof volumes that vary in size and materiality. The larger, transparent structure made from corrugated polycarbonate sheet contains the main dining area and bar, which can accommodate up to 70 guests, while the smaller enclosed shed houses the private kitchen and service areas is made from Pintro sheet.</p>
<p>Plumbago provides an understated yet sophisticated backdrop for the restaurant’s Mediterranean-inspired menu, which prioritises the use of fresh, locally sourced produce.</p>
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<p>Drawing inspiration from the comfort of traditional suburban Mexican houses, the dining space aims to create a domestic and comfortable setting filled with natural light and vegetation to create a garden oasis inside. The space becomes an urban greenhouse in both shape and materiality.</p>
<p>The open-plan layout encourages free circulation and links the dining area to a rear terrace, ensuring cross-ventilation and a seamless connection with the outdoors. This versatility aligns with the client’s vision, as the restaurant offering also features a cultural programme of exhibitions and live music performances.</p>
<p>The walls are made from brick in different treatments, and assembled using local crafting techniques to provide texture and dimension to the otherwise muted atmosphere.</p>
<p>The earthy tones of the brick contrast with the exposed steel structure, finished in ochre hues. A striking geometric planter bridges the indoor and outdoor spaces, enhancing the venue’s connection with nature.</p>
<p>The furnishings, crafted from wood and steel, mirror the materials used throughout the space, reinforcing a cohesive aesthetic.<br />
Plumbago celebrates culinary artistry and cultural expression, offering an elegant and approachable environment in the heart of Mexico City.</p>
<p><em>Text provided by the architects.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2025/05/21/plumbago/">Plumbago</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>CA22</title>
		<link>https://globalspaces.eu/2025/04/13/ca22/</link>
					<comments>https://globalspaces.eu/2025/04/13/ca22/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 13 Apr 2025 15:56:11 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[César Béjar]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[PRODUCTORA]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=98043</guid>

					<description><![CDATA[<p>This residential building in the San Pedro de los Pinos neighborhood of Mexico City seeks to achieve high urban density [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/ca22/">CA22</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/productora">PRODUCTORA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cesar-bejar">César Béjar</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico City,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>This residential building in the San Pedro de los Pinos neighborhood of Mexico City seeks to achieve high urban density with 9 units on a lot that is 10m wide and 45m deep. In order to maximize the entry of light and avoid high and narrow ventilation cubes, 8 units were grouped vertically around 2 shared courtyards (the ninth unit faces the street). This scheme generates a typology of vertical units of 4 levels in which the staircase acts as a dynamic element that filters light into the depth of the dwelling. The vertical typology also allows each house to have a variety of outdoor spaces: a patio on the first floor, French balconies and a terrace on the intermediate levels and a roof garden.</p>
<p>These vertical units are accessed from a wide, high internal corridor, full of vegetation and open to the outdoors, thus avoiding stairs or public elevators in the complex. It is a meeting space in direct contact with the street through a large glazed facade and directly supervised by the doorman. Both the interior and exterior facades of the residential complex consist of a system of vertical brackets between which planters, railings and sunshades are placed to provide privacy and protect the interiors from the sun. These red corrugated sheet metal elements and the abundant vegetation generate kaleidoscopic urban courtyards of multiple levels, dimensions and perspectives.</p>
<p><em>Text provided by the architects.</em></p>
<p>La entrada <a href="https://globalspaces.eu/2025/04/13/ca22/">CA22</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Espina Pavilion</title>
		<link>https://globalspaces.eu/2024/04/28/espina-pavilion/</link>
					<comments>https://globalspaces.eu/2024/04/28/espina-pavilion/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 28 Apr 2024 17:30:53 +0000</pubDate>
				<category><![CDATA[Landscape & Urbanism]]></category>
		<category><![CDATA[César Belio]]></category>
		<category><![CDATA[Emiliano Domínguez + Santiago Martínez]]></category>
		<category><![CDATA[Mexico]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=94272</guid>

					<description><![CDATA[<p>Espina emerges from the synergy of different elements that interact to achieve structural and visual balance. It is a pavilion [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/28/espina-pavilion/">Espina Pavilion</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/emiliano-dominguez-santiago-martinez">Emiliano Domínguez + Santiago Martínez</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cesar-belio">César Belio</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Santiago de Querétaro,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>Espina emerges from the synergy of different elements that interact to achieve structural and visual balance. It is a pavilion without a defined program, serving the sole purpose of providing shade and directing views toward the horizon. With a minimal footprint of only 21 sqm of built area, Espina offers a panoramic view of three hundred and sixty degrees, connecting the user with the mountain landscape.</p>
<p>Situated atop a hill on a cattle ranch in Santiago de Querétaro, the project comprises a lightweight roof supported by a structure with a concrete base and a metal frame. This framework serves a dual purpose—on the one hand, delineating the footprint area, and on the other hand, extending in cantilever towards the west façade. The cantilever is supported by gabion masses anchored with tension cables on the opposite side. This contrast between materials and the structural integrity of the design emphasizes the specific function of each element.</p>
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<p>Considering the site&#8217;s geography and limited access, which is possible only by horse or a 4&#215;4 vehicle, the decision was made to cast the concrete on-site. Steel was chosen for its ease of on-site assembly and the possibility of incorporating modular pieces. On the other hand, the gabions were constructed using local stone extracted during the foundation. The dilatation of the structure determines the distance of these counterweights to an endemic landscape that, eventually, will take over the pavilion.</p>
<p>The design approach consolidates Espina as a versatile space between two concrete bases, rising above the vegetation and extending from north to south to provide horizontal views towards the east and west, capturing both the sunrise and the sunset.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/04/28/espina-pavilion/">Espina Pavilion</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Casa Monte</title>
		<link>https://globalspaces.eu/2024/02/19/casa-monte/</link>
					<comments>https://globalspaces.eu/2024/02/19/casa-monte/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 19 Feb 2024 08:58:37 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Carlos Matos]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Rory Gardiner]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=92961</guid>

					<description><![CDATA[<p>Casa Monte, or Hillock House, is not a house, really. Nestled somewhere between mountains and the Pacific, amid cacti and [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/19/casa-monte/">Casa Monte</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/carlos-matos">Carlos Matos</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/rory-gardiner">Rory Gardiner</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2022&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Puerto Escondido,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>Casa Monte, or Hillock House, is not a house, really. Nestled somewhere between mountains and the Pacific, amid cacti and low shrubs, it’s more of an experiment in seclusion. A sandy road gives way to a winding path, enveloped by greenery that encroaches upon it on all sides. Above, in the distance, an ochre-hued monolith appears to promise refuge from the elements. Then, it delivers.</p>
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<p>There is no definitive entrance to the structure, no boundary between interior and exterior on its ground floor. High walls and columns rise to form a portico where breeze cuts through the humid heat. Every surface here is made of earth-tinted concrete — smooth slabs and blocks that assemble a space of time suspended. What might one do in such starkly rendered isolation? Prepare a simple meal over the kitchenette; lay atop the daybed; dip into the bottle-green waters of a narrow plunge pool. This slice of domesticated space amid an otherwise untouched landscape at once suggests civilizations past and utopian gestures of futurity, like an ancient temple activated through sleek fixtures of brass and steel.<br />
Half-hidden behind a wall are the stairs that spiral up to the bedroom, also austere though made warmer by the abundance of wood on the floor and window frames. A richly textured terrace offers a full view of the ocean to wake up to, a space to bathe, and a thin ladder that leads to the roof, which completes the experience after nightfall. If the project feels born of the earth and human history, here it ends by connecting the user to the ether.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/02/19/casa-monte/">Casa Monte</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Casa Americana</title>
		<link>https://globalspaces.eu/2023/11/29/casa-americana/</link>
					<comments>https://globalspaces.eu/2023/11/29/casa-americana/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 29 Nov 2023 10:59:24 +0000</pubDate>
				<category><![CDATA[Interiors]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[César Béjar]]></category>
		<category><![CDATA[Macías Peredo]]></category>
		<category><![CDATA[Mexico]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=91994</guid>

					<description><![CDATA[<p>The walls of Casa Americana are stacked with bricks, which is also to comply with some local regulations. At the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/11/29/casa-americana/">Casa Americana</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/macias-peredo">Macías Peredo</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cesar-bejar">César Béjar</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2016-2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Guadalajara,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>The walls of Casa Americana are stacked with bricks, which is also to comply with some local regulations. At the same time, because the brick structure makes the house layered, it will not appear single and without details. Macías Peredo Studio has always made good use of greenery in their designs, allowing the house to contrast in tones and add vitality to the space.</p>
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<p>The tall wall surrounds the house and ensures the privacy of the occupants without blocking the light source. The movable glass door and window design can not only introduce light into the room better, but also ensure good ventilation of the house. While protecting the house, the occupant can open or close it according to personal needs.</p>
<p><em>Description by Gina.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/11/29/casa-americana/">Casa Americana</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Santiago Carbonell Museum</title>
		<link>https://globalspaces.eu/2023/08/20/santiago-carbonell-museum/</link>
					<comments>https://globalspaces.eu/2023/08/20/santiago-carbonell-museum/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 20 Aug 2023 08:01:42 +0000</pubDate>
				<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Ariadna Polo]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Miguel Concha Arquitectos]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90911</guid>

					<description><![CDATA[<p>Located in the historic center of the city of Querétaro, the museum seeks to bring art closer to the general [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/08/20/santiago-carbonell-museum/">Santiago Carbonell Museum</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/miguel-concha-arquitectura">Miguel Concha Arquitectura</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/ariadna-polo">Ariadna Polo</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2022&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Santiago de Querétaro,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>Located in the historic center of the city of Querétaro, the museum seeks to bring art closer to the general population, where an interesting sample of works that illustrate the career of the famous painter Santiago Carbonell is exhibited. In a house dating from 1760, it is the materialization of a project with more than a decade of planning, whose central objective is the cultural development of the city.</p>
<p>The reuse strategy of the existing building starts from recovering the original structure and making minor modifications that would allow the property to be adapted to its new use and optimize the operation of the museum. What used to be rooms are now galleries that house important works of art. The main gallery is created thanks to the steel elements that support the new roof, a light structure that does not affect the integrity of the original structure. A patio, distinctive of the Queretaro houses of the time; connect and illuminate all the galleries. Art, architecture and history interact, combining everything in a timeless atmosphere. Part of the artist&#8217;s work and personal collection has been transferred to the museum facilities, where people can have free access to the exhibitions and programs offered by the foundation, opening the possibility of another way of occupying this space.</p>
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<p>It has exhibition rooms, a service area for the museum, a shop and a terrace from which you can contemplate the landscape. The permanent collection is based on the artist&#8217;s private collection, with some paintings that he has been rescuing and many others preserved over time; all of them converge in this cozy and intimate space that subtly mixes robust historical elements with light structures, recovering the spatial qualities of the old construction that has been intervened to adapt to a public and cultural dynamic.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/08/20/santiago-carbonell-museum/">Santiago Carbonell Museum</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>La Laguna</title>
		<link>https://globalspaces.eu/2023/07/13/la-laguna/</link>
					<comments>https://globalspaces.eu/2023/07/13/la-laguna/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 13 Jul 2023 11:42:47 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Camila Cossio]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[PRODUCTORA]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=90487</guid>

					<description><![CDATA[<p>La Laguna is a former textile and yarn factory built in the 1920s in Mexico City’s Doctores neighborhood. The design [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/07/13/la-laguna/">La Laguna</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/productora">PRODUCTORA</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/camila-cossio">Camila Cossio</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Mexico City,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>La Laguna is a former textile and yarn factory built in the 1920s in Mexico City’s Doctores neighborhood. The design involves the deteriorated factory’s recovery and enhancement into the vibrant complex that currently houses more than 25 motley creative and productive firms (including carpentry and textile workshops, coffee brewers, and ceramics studios, among others).</p>
<p>Although the historic building is not cataloged, the intervention project proposes to preserve the original exterior facades and focus on the interior courtyards that had accumulated a large amount of equipment, roofs, and annexes over time, losing its function as a spatial connector between the different areas of the complex. The reconversion strategy was designed to be implemented gradually, over the course of several years (more than ten years), and with a flexible group of tenants using the complex simultaneously.</p>
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<p>The renovated complex is organized around two rehabilitated courtyards of different sizes and characteristics, giving continuity to the old facades with their robust concrete structure and unique square ironwork grid. This fundamental strategy is complemented by specific architectural interventions to improve the operation and distribution of the horizontal and vertical circulations, generating a promenade that motivates visitors to discover the entire complex. It incorporates new restroom areas, new stairwells, a new freight elevator, and constructing several additional buildings and warehouses to complement the complex. Finally, we decided to reuse the green color present in the architectural elements of the old building and in the old weaving machines to define a new chromatic identity for Laguna.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/07/13/la-laguna/">La Laguna</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Casa TO</title>
		<link>https://globalspaces.eu/2023/05/22/casa-to/</link>
					<comments>https://globalspaces.eu/2023/05/22/casa-to/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 22 May 2023 07:51:18 +0000</pubDate>
				<category><![CDATA[Commercial]]></category>
		<category><![CDATA[Jaime Navarro]]></category>
		<category><![CDATA[Ludwig Godefroy]]></category>
		<category><![CDATA[Mexico]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=89957</guid>

					<description><![CDATA[<p>In La Punta Zicatela, a spot on Mexico’s Pacific coast with golden sunsets where the sea, the sand, and the [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/05/22/casa-to/">Casa TO</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/ludwig-godefroy">Ludwig Godefroy</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/jaime-navarro">Jaime Navarro</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2022&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Punta Zicatela,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>In La Punta Zicatela, a spot on Mexico’s Pacific coast with golden sunsets where the sea, the sand, and the cliffs form a unique panorama, Casa To nestles in a discreet oasis of unusual architecture where you can immerse yourself in a state of total contemplation.<br />
With just nine suites, the hotel defines itself as a manifesto of hospitality for introspection, sited opposite the Zicatela Ecological Community, a key destination for contemporary nomads from every latitude, who seek to find themselves among wide beaches ideal for surfing and watersports, walking, meditating, and even helping to release turtles in the local sanctuaries.</p>
<p>The project, by the renowned architect Ludwig Godefroy, was developed under the watchword of simplicity and conceptual elegance, bringing together tradition and the avant-garde in a unique structure embraced by a peaceful natural setting. The name, Casa TO, comes from the idea of serene contemplation of an enclosed space, like the reinterpretation of a Oaxacan temple, generating a radical sensory experience upon entering.</p>
<p>The structure evokes the reticulated pattern of two historical hydraulic works of timeless beauty: the Basilica Cistern or Yerebatan Sarayi of Istanbul, dating from the 6th century AD, and the Hornsey Wood Reservoir in Finsbury Park, London, built in the 19th century.<br />
The interplay of privacy and exposure is evident. The interior views create an oasis enclosed by the sky, the weight of the walls and the vegetation of climbing plants and fruit trees including bananas and passion fruit. In this area, measuring 600 square meters, Godefroy interweaves aesthetics and functionality, emphasizing the honesty of the textures of the raw materials, such as concrete, steel, clay, and wood.</p>
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<p>The focal point of Casa TO is the covered infinity pool and solarium. The former alludes to the vaulted volumes and the signature style of Le Corbusier with rectilinear lines, exposed loadbearing walls, lightweight structures, and open-plan interiors. The solarium, with its terraced layout, has divisions to provide privacy in each area.</p>
<p>The adjacent volume comprises the suites and has a structure that favors cool air, given the prevailing heat of the region, and provides protection from the outdoors. The six rooms on the ground floor have gardens, while those on the upper level offer a terrace and outdoor bath.</p>
<p>The natural surroundings of Casa TO defined the interior design, inspired by the natural pattern of a Madagascar Blue Bismarck palm tree (Bismarckia Nobilis) standing on the original site. The chosen color palette combines the natural tones of concrete and stainless steel with turquoise hues –appreciated in the metalwork, the lamps by Natural Urbano studio, and other decorative details–, and nuances of yellow, blue, and green.</p>
<p>Furniture built by expert carpenters from Puebla, Guadalajara, and Oaxaca conveys a sense of simplicity and delicacy and, together with the bamboo pieces designed by Tiago Solís Van Beuren, emphasizes the textures while bringing character to the spaces. These unique pieces, which display the richness and creativity of talented local artisans, may be purchased by guests under a fairtrade model, enabling them to introduce exceptional objects into their daily lives.</p>
<p>At Casa TO consciousness and sustainability are seen as fundamental aspects of luxury living today, and expressed in its commitment to reducing its environmental impact with actions including: a water treatment plant to reuse wastewater for the planted areas; solar panels to store energy; and a zero-plastics policy.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/05/22/casa-to/">Casa TO</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Rain Harvest Home</title>
		<link>https://globalspaces.eu/2023/01/29/rain-harvest-home/</link>
					<comments>https://globalspaces.eu/2023/01/29/rain-harvest-home/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 29 Jan 2023 08:58:47 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Sustainability]]></category>
		<category><![CDATA[César Béjar]]></category>
		<category><![CDATA[Jaime Navarro]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Rafael Gamo]]></category>
		<category><![CDATA[Robert Hutchinson and Javier Sánchez]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=88182</guid>

					<description><![CDATA[<p>This off-the-grid retreat located in the mountains south of Valle Bravo, approximately two hours west of Mexico City, is strategically [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/01/29/rain-harvest-home/">Rain Harvest Home</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/robert-hutchinson-and-javier-sanchez">Robert Hutchinson and Javier Sánchez</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/cesar-bejar">César Béjar</a><a href="https://globalspaces.eu/photographer/jaime-navarro">Jaime Navarro</a><a href="https://globalspaces.eu/photographer/rafael-gamo">Rafael Gamo</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2022&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Temascaltepec,&nbsp;<a href="https://globalspaces.eu/country/mexico">Mexico</a></p>
<p>This off-the-grid retreat  located in the mountains south of Valle Bravo, approximately two hours west of Mexico City, is strategically sited to provide views towards the 16,500-foot-high Volcan Toluca Mountain. Situated in a nature reserve, a key objective was to create a structure that could operate off the grid through a solar PV array and an on-site water treatment and storage system, working in tandem with the local climate where summers are wet and rainy, and winters extremely dry. </p>
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<p>The residence is conceived as a pavilion that allows for outdoor use year round. A raised concrete plinth clad with local recinto volcanic stone serves as a platform for interior and exterior spaces, while a hovering planted roof is supported by a perimeter colonnade of steel columns. Two-thirds of the pavilion is dedicated to covered outdoor space, allowing all sides of the home to breathe and remain open to the elements in the temperate climate. A detached bathhouse and studio complete the retreat’s ensemble of structures.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/01/29/rain-harvest-home/">Rain Harvest Home</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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