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	<title>Feina Studio archivos - Global Spaces</title>
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	<title>Feina Studio archivos - Global Spaces</title>
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		<title>Plywood House</title>
		<link>https://globalspaces.eu/2024/02/29/plywood-house/</link>
					<comments>https://globalspaces.eu/2024/02/29/plywood-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Thu, 29 Feb 2024 12:31:22 +0000</pubDate>
				<category><![CDATA[Renovation]]></category>
		<category><![CDATA[Residential]]></category>
		<category><![CDATA[Feina Studio]]></category>
		<category><![CDATA[José Hevia]]></category>
		<category><![CDATA[Spain]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=93156</guid>

					<description><![CDATA[<p>This expansion and renovation project is located in a residential neighborhood of Palma with ground-floor houses and patios. The need [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/02/29/plywood-house/">Plywood House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/feina-studio">Feina Studio</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/jose-hevia">José Hevia</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Palma de Mallorca,&nbsp;<a href="https://globalspaces.eu/country/spain">Spain</a></p>
<p>This expansion and renovation project is located in a residential neighborhood of Palma with ground-floor houses and patios. The need to extend the original home on the ground floor, maintaining the original load-bearing wall structure, makes it necessary to adopt a light structural solution such as wood.</p>
<p>CRAFTS</p>
<p>From the beginning, we considered the project as an investigation along two parallel lines. On the one hand, the possibilities of prefabricating wooden elements with numerical control cutting (CNC), and on the other, an investigation into the crafts still alive on the island, such as clay and marés.</p>
<p>We start from an autonomous and decontextualized structure, anchored to a “base” or “pre-existence” for which we “ideate” and manufacture a prefabricated wooden system, starting from 244x122cm poplar plywood panels. Here the structure gives us the opportunity to investigate and test a wooden prefabrication structural system that uses the language of its manufacturing process. Combining the elements of this system defined by the capabilities of CNC cutting, this system serves as a starting point and can be reproduced in other types of buildings.</p>
<p>The project explores and incorporates local materials and artisans using local products with different degrees of industrialization. For the interior flooring, we worked hand in hand with Huguet, a traditional manufacturer of hydraulic tiles in Mallorca, designing a large continuous mosaic of tiles with smooth joints in the areas where it was necessary to replace the original flooring. Special terracotta slivers from Miquel Soler, a traditional manufacturer from Felanitx, have been used in various parts of the façade and the pool.</p>
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<p>ADAPTABLE</p>
<p>The project establishes several &#8220;atmospheric zones&#8221; within the house. Thus there are rooms with diffused light, with morning light, with north orientation, with south orientation. Rooms that look out onto an interior patio, or rooms with afternoon sun and views of Bellver Castle. Some with a lot of thermal inertia, so that they are cool in summer, and others with little thermal inertia so that they are easily heated in winter, encouraging seasonal migration in the home.</p>
<p>The architectural intention is to create an atmospheric spatial variety with seasonal use that only depends on the comfort of the moment. The few programs that have a defined use in the home are the wet areas, around which the rest of the uses revolve.</p>
<p>RAW</p>
<p>The optimization of the board cut and the structural requirements generate purely structural ornate geometries and volumes, without any added elements. The structure will be presented naked without covering, helping to economize the intervention while “ornamenting” and “decorating” the interior. The absence of finishes shows the structural demands of the ceilings, which closely resemble the coffered ceilings so characteristic of the old town of Palma.</p>
<p>The intervention in the preexistence is carried out with primary materials, wood, stone, clay, all of them without finishes.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/02/29/plywood-house/">Plywood House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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		<title>Split House</title>
		<link>https://globalspaces.eu/2023/09/12/91237/</link>
					<comments>https://globalspaces.eu/2023/09/12/91237/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Tue, 12 Sep 2023 16:14:02 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Feina Studio]]></category>
		<category><![CDATA[Luís Díaz Díaz]]></category>
		<category><![CDATA[Spain]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=91237</guid>

					<description><![CDATA[<p>The Split house is located in a low and dense neighbourhood of the city of Palma, with predominant row houses [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2023/09/12/91237/">Split House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/feina-studio">Feina Studio</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/luis-diaz-diaz">Luís Díaz Díaz</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2023&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Palma de Mallorca,&nbsp;<a href="https://globalspaces.eu/country/spain">Spain</a></p>
<p>The Split house is located in a low and dense neighbourhood of the city of Palma, with predominant row houses with patios. The area was built to accommodate the workforce of the local industries of the early 20th century.</p>
<p>MONUMENTALITY<br />
Workforce are documented in the region of thousands, defining an industrial zone within the city fabric. Accommodating such a large workforce required a large housing solution, as the migration from the countryside to the city was already beginning. Simple row houses were the common solution, but the area is also dotted with a typology of bourgeois villas for foremen and business owners. With their monumental proportions and ornate façades, they often involved local artisans to recreate the sense of urban palaces, where elevated living stepped out of the ordinary.<br />
The Split house aims to contribute to this network of monumental buildings, through the language of the façade and urban proportions.</p>
<p>ADAPTATION<br />
The topography of the entire area slopes continuously towards the sea, having to deal with level changes within the plot. There is a drop of 1.4 m from the street to the rear façade. The Split House progressively adapts to this level condition by stepping the ground floor, with a series of platforms of different levels, like a descending promenade, connecting the main street with the courtyard. This section is mirrored on the upper floor, composing two different levels that “split” the house, creating new facades where the light from the south is brought inside.</p>
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<p>SYSTEMS<br />
We understand construction as a series of interconnected systems with different degrees of industrialization. Working with CLT, for us, is a deep dive into industrial wood systems with their own rules and characteristics that we must fully understand.<br />
While building regulations only allow for a shallow building depth, wall thickness is minimized to maximize interior build area. CLT allows us to develop thin, single-layer walls, where the wood would be exposed on the inside. The facades are clad with natural cork panels, on the east façade, while timber is used to the street.</p>
<p>RESOURCES<br />
Efforts have been made with resources, maximizing the use of bio-based materials such as wood and natural cork to create constructive solutions that minimize the consumption of incorporated and operational energy. For the construction of the Split house, 58m3 of wood were used, achieving a storage of 52Tn of CO2. Special attention has been paid to the execution of the air-tight envelope in order to reduce operational energy to a minimum.</p>
<p>SPACE-COLOR<br />
Most of the spaces are defined by an atmospheric “vainilla ice-cream” colour paint which covers the exposed timber while enhancing its texture. Other parts are complemented by the use of saturated color to emphasize certain corners and areas of the rooms. Colours are used as an extravagant filigree and are the result of a subjective preference chosen together with the client.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2023/09/12/91237/">Split House</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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