The church had acquired depth and complexity in monuments and nave aisles, elements which were later shorn off, the aisles removed, the chancel demolished- a shape expanding and contracting, already through a violent cycle of change. As found, the interior was cut up into separate rooms and levels to make a parish hall.

The project intention was to restore the church as a museum, retaining some of the 20th century interventions, and to honour its medieval spatial complexity by re-constructing the North aisle and chancel to the original plan but a different internal section and materiality using the base of the original walls in an non-interventive way. The chancel room overlooks the town, re-establishing its dominant form in the urban landscape; the space beneath it becomes a tomb-filled undercroft. Both of the new gabled elements are finished in lead, with rooflights directed to levels of archaeology below.

Text provided by the architect.