The galleries of the museum are arranged around a light well with 5.7 meters in diameter and 16.4 meters in height, which serves as the organizing “anchor” for all the spaces. The light well is both the starting point and the end point. People will start from passing through the bottom part of the light well, walk along the spiral staircase coiling up to the galleries while inadvertently looking back into the light well through the apertures at different levels, and eventually conclude the journey stepping down from the top gallery along the light well again back to the starting point. While inside the galleries, natural light is filtered and softened by the skylights, penetrating through a grid of 1.9 x 1.9 square meter waffle beam and filling the interior with a homogeneous and immersive light quality. Furthermore, the exterior staircase that connects the second through fourth floors, the protruding corner window on the fourth floor, and a southwest-facing vertical window on the same floor all provide museum visitors with glimpses of the contemporary cityscape of Taiyuan.

As we see it, Changjiang Art Museum is like a solid block of brick – occupying a specific space-time coordinate, bearing witness silently and attentively to the clamorous and ever-changing city around it.

Text provided by the architect.

The locations and forms of openings also get carefully reconsidered. The new concrete window frame sticks out from the outside wall, which prevents excessive rainwater from seeping into the window from the wall surface. The thickness is then designed into “window-furniture” system: window is no longer a simple opening, but serves as a medium space situating between nature and the interior space.

We choose vault to be the structural form of the third floor. It reduces the possibility of water leakage to an extreme for it barely allows any rainwater to stay. Vault is directional. It connects two sides of sea with dramatically different characters: one being the serene sea whereas the other one being the noisy port. This added floor serves as a multifunctional living space: it accommodates visiting family and friends and functions perfectly as a gym or an activity room as well. Additionally, since the captain’s family is Christian, this space is also intended to be a family chapel.

At dusk, the gentle light comes out from the translucent glass blocks. We hope the house gradually becomes the carrier of emotion for the captain’s family, and gives deserved dignity and decency to the daily life of ordinary people, which is particularly meaningful under the current circumstance of China.

Text provided by the architect.