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	<title>Melbourne archivos - Global Spaces</title>
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	<title>Melbourne archivos - Global Spaces</title>
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		<title>Green house</title>
		<link>https://globalspaces.eu/2022/06/11/green-house/</link>
					<comments>https://globalspaces.eu/2022/06/11/green-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sat, 11 Jun 2022 16:25:57 +0000</pubDate>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[Earl Carter]]></category>
		<category><![CDATA[Sean Godsell]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=85829</guid>

					<description><![CDATA[<p>Alterations and additions to a small heritage listed timber cottage in inner suburban Melbourne. Planning and heritage requirements and construction [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2022/06/11/green-house/">Green house</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/sean-godsell">Sean Godsell</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/earl-carter">Earl Carter</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2014&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Melbourne,&nbsp;<a href="https://globalspaces.eu/country/australia">Australia</a></p>
<p>Alterations and additions to a small heritage listed timber cottage in inner suburban Melbourne. Planning and heritage requirements and construction costs fundamentally drove the outcome of this project. Our client came to us wanting a new house. For reasons only known and understood by the local authorities the existing cottage was deemed to be of some historical significance. We disagreed with that assessment but to no avail. It was a case of limp-wristed facadism by the authorities and heritage &#8216;experts&#8217;. Instead of abandoning our client we agreed to start from scratch, keeping the front section of the cottage and reworking it and then building a discrete fully new section at the rear of the block. I saw the project in a different light and chose to re-visit some projects that had inspired me as a young architect &#8211; Kazuo Shinohara&#8217;s &#8216;House in White&#8217; and &#8216;House in Hanayama No 3&#8217; and Tadao Ando&#8217;s &#8216;Row House in Sumiyoshi&#8217; or &#8216;Azuma House&#8217; as it is sometimes known. The &#8216;Row House in Sumiyoshi&#8217; is a work of genius and I have written elsewhere about that building describing it as &#8216;a seminal work of the second half of the twentieth century&#8217;.</p>
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<p>In simple terms the cottage interior is remodelled to have a cathedral ceiling with a pair of timber posts supporting the ridge beam and two light cannons directing light to the centre of the single space formed by the demolition of an existing wall. A small courtyard bound by concrete walls separates the cottage from the small addition, evoking the &#8216;Row House&#8217; in the process. To address issues of overshadowing and overlooking we kept the height of the addition low (3.0m overall) and to compensate for a lack of light we made the roof of the entire addition glass with an automated timber sunscreen. The sunscreen protects the occupant from summer sun but can be configured in a variety of ways to allow the ingress of winter sun. As the screen is operated from inside the appearance of the building changes. If the owner so desires they can use the roofscape as an additional outdoor living area.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2022/06/11/green-house/">Green house</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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			</item>
		<item>
		<title>Springhill house</title>
		<link>https://globalspaces.eu/2022/05/18/springhill-house/</link>
					<comments>https://globalspaces.eu/2022/05/18/springhill-house/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Wed, 18 May 2022 17:39:53 +0000</pubDate>
				<category><![CDATA[Residential]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[Benjamin Hosking]]></category>
		<category><![CDATA[Lovell Burton]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=85558</guid>

					<description><![CDATA[<p>The site was purchased by an author seeking a tree change having lived in inner city Melbourne for many years. [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2022/05/18/springhill-house/">Springhill house</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/lovell-burton">Lovell Burton</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/benjamin-hosking">Benjamin Hosking</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2018&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Melbourne,&nbsp;<a href="https://globalspaces.eu/country/australia">Australia</a></p>
<p>The site was purchased by an author seeking a tree change having lived in inner city Melbourne for many years. The dwelling is part of a larger project to re-imagine and revitalize the underworked paddock into a place of habitation, connection, and reflection. The site slopes in the north-south direction and have been sculptured into subtly undulations from surface water that seeps through the ground from the adjacent Springhill. The dwelling is sited towards the high point of the site adjacent an outcrop of granite that forms an imperceptible rise to the north of the building site, offering both a foreground for aspect from the dwelling and obscuring view and noise from the road.</p>
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<p>Like much of rural Australia, haysheds are dotted through the Macedon Ranges. Their simple forms reflect rational necessity. Often located on high ground, their figure in the landscape contributed to the Australian myth of shelter and defiance. The project extends upon these themes to create a place within the paddock. A large roof stretches beyond the enclosed spaces to act as a place-maker, defining the area of habitation from the treeless grass expanse. Pitching north-south to align with the fall of the land, the large roof collects the dwellings drinking water and energy. The roof is held up by a series of glulam portal frames creating clear flexible space that shelters the internal and external activities of the dwelling.</p>
<p>The project removes circulation space from the plan. Internal spaces often overlap and form dual purpose. Service areas are located as a cluster in the center of the plan and form the main delineation between the workspaces and the living space. Sleeping is located to the east of the dwelling to capture the rising sun and expansive view. Living space is organized to the north and west overlooking the outcrop of granite to and capturing the warmth of winter sun.  Working space is arranged to the south, making use of diffuse light.</p>
<p>Materials have been selected which are utilitarian in purpose. Large sheets of galvanized sheet metal have been applied to the outer layer of the building. Durable and robust the metal provides the main weather protection for the building while also reflecting the hues of the paddock, giving the building its character. The internal space consists of a burnished concrete slab and birch plywood. Concrete stabilizes the internal living environment, providing cooling mass during summer months and heat redistribution during the winter. Plywood provides warmth to the space both acoustically and atmospherically.</p>
<p>The proportions of the dwelling are determined by 1.2m structural grid aligned with standard material sizes. This minimized the amount of material wastage and, more fundamentally, is a proportion developed in relation to the human hand. The use of a monochromatic palette amplifies the aspect from the large window openings. View and ventilation are separated. Solid ventilation panels are organized throughout the dwelling to enable cross flow ventilation that can be controlled from space to space, leaving view and aspect clear of obstruction. </p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2022/05/18/springhill-house/">Springhill house</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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