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	<title>2000 archivos - Global Spaces</title>
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	<title>2000 archivos - Global Spaces</title>
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		<title>Sendai Mediatheque</title>
		<link>https://globalspaces.eu/2024/06/03/94712/</link>
					<comments>https://globalspaces.eu/2024/06/03/94712/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Mon, 03 Jun 2024 10:23:24 +0000</pubDate>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Rasmus Hjortshøj]]></category>
		<category><![CDATA[Toyo Ito + Associates]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=94712</guid>

					<description><![CDATA[<p>With the intentions of designing a transparent cultural media center that is supported by a unique system to allow complete [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/06/03/94712/">Sendai Mediatheque</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/toyo-ito-associates">Toyo Ito + Associates</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/rasmus-hjortshoj">Rasmus Hjortshøj</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2000&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Sendai,&nbsp;<a href="https://globalspaces.eu/country/japan">Japan</a></p>
<p>With the intentions of designing a transparent cultural media center that is supported by a unique system to allow complete visibility and transparency to the surrounding community, the Sendai Mediatheque by Toyo Ito is revolutionary in it&#8217;s engineering and aesthetic.</p>
<p>Six steel-ribbed slabs slabs, each 15-3/4&#8243; thick, appear to float from the street, supported by only thirteen vertical steel lattice columns that stretch from ground plane to the roof. This striking visual quality that is one of the most identifiable characteristics of the project is comprable to large trees in a forest, and function as light shafts as well as storage for all of the utilities, networks and systems.</p>
<p>Each plan is free form, as the structural column lattices are independent of the facade and fluctuate in diameter as they stretch from floor to floor.</p>
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<p>The simplest intentions of focusing on plates (floors), tubes (columns), and skin (facade/exterior walls) allows for a poetic and visually intriguing design, as well as a complex system of activities and informational systems.</p>
<p>The four largest tubes are situated at the corners of the plates, which serve as the principle means of support and bracing. Five of the nine smaller tubes are straight and contain elevators, while the other four are more crooked and carry the ducts and wires.</p>
<p>Upon approaching the Sendai Mediatheque, the public is led into a continuation of the surrounding city into the double height hall of the main entrance through large panes of glass. This open square includes a cafe, retail shop, and community space that is capable of supporting film screenings and other events.</p>
<p>Another aspect unique to this building is the involvement of many designers, as the interior of each level incorporated another person. Kazuyo Sejima designed the ground floor, placing the administrative offices behind a translucent screen.</p>
<p>The Shimin Library found on the second and third levels include a browsing lounge complete with internet access and specially designed furniture by K.T. Architecture.</p>
<p>The gallery space of the fourth and fifth levels contain a flexible exhibition space with moveable walls, and also a more static space with fixed walls and a rest area with seating designed by Karim Rashid. Ross Lovegrove took charge of the sixth level, adding a 180 seat cinema and green and white furniture fitting to the audio-visual multimedia library.</p>
<p>The tree-like nature of the metal columns of the Mediatheque are continuous with the natural surroundings of the area, as the design is found on a street lined with trees.</p>
<p>The building changes along with the seasons, it&#8217;s openness reflective of the summer green and also the streets during winter.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/06/03/94712/">Sendai Mediatheque</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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			</item>
		<item>
		<title>Athletics Stadium</title>
		<link>https://globalspaces.eu/2024/04/28/94316/</link>
					<comments>https://globalspaces.eu/2024/04/28/94316/#respond</comments>
		
		<dc:creator><![CDATA[Jordi Costa]]></dc:creator>
		<pubDate>Sun, 28 Apr 2024 17:56:19 +0000</pubDate>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Landscape & Urbanism]]></category>
		<category><![CDATA[Public facilities]]></category>
		<category><![CDATA[Hisao Suzuki]]></category>
		<category><![CDATA[Ramon Prat]]></category>
		<category><![CDATA[RCR Arquitectes]]></category>
		<category><![CDATA[Simon Garcia]]></category>
		<category><![CDATA[Spain]]></category>
		<guid isPermaLink="false">https://globalspaces.eu/?p=94316</guid>

					<description><![CDATA[<p>Immerse in one of the exceptional natural spots common to the province of Gerona, the town of Olot is particularly [&#8230;]</p>
<p>La entrada <a href="https://globalspaces.eu/2024/04/28/94316/">Athletics Stadium</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><strong>Architects:&nbsp;</strong><a href="https://globalspaces.eu/architect/rcr-arquitectes">RCR Arquitectes</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<strong>Photography:&nbsp;</strong><a href="https://globalspaces.eu/photographer/hisao-suzuki">Hisao Suzuki</a><a href="https://globalspaces.eu/photographer/ramon-prat">Ramon Prat</a><a href="https://globalspaces.eu/photographer/simon-garcia">Simon Garcia</a>&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Construction Period:&nbsp;</strong>
			2000&nbsp;&nbsp;&nbsp;&nbsp;
			<strong>Location:&nbsp;</strong> 
			Olot,&nbsp;<a href="https://globalspaces.eu/country/spain">Spain</a></p>
<p>Immerse in one of the exceptional natural spots common to the province of Gerona, the town of Olot is particularly careful when it comes to its expansion on the surrounding areas in order to avoid destroying on its growth that which constitutes one of its most valuable goods, its natural landscapes. In the area knows as Tussols-Basil – situated between the city and the rural green park which runs along the river bed – a series of installations devoted to leisure and sports constitute the municipal project that tries to outline the encounter of the natural park and the urban fabric. To the partially completed path and the initially built swimming pavilion, an athletics track has been added and in a near future a football field will be built: two installations whose large extension set out from the very beginning a series of problems concerning their adequate location.</p>
<p>In two clearings of the woods of white oak, the athletics track and the soccer field align their axis in parallel sliding between one another to reduce their visual impact, separated by a tongue of land of volcanic origin. The recently concluded process of construction of the athletics track was accompanied by the controversy arisen among local ecologists – who wanted to preserve each and every one of the existing vegetal species – and the athletes who considered the trees a visual obstacle for the development of the sports events. The executed proposal pursues an intermediate solution between these positions, keeping the most valuable oak trees at the center of the track in such a way that the circuit advances amidst the light filtered through the branches, transforming the short and medium distance competitions in an experience of immersion into nature, something close to cross-country races.</p>
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<p>With the spectators situated right next to the track, the trees act as sifters that alter the perception of the track, with leaves whose density varies every season. Only the four masts that support the artificial illumination of the installations – formed by triangular metallic structures that tilt dynamically over the track –break in upon the green horizon of the park, raising as watchtowers that guard the dense foliage. The uneven flanks of the existing topography were carved following the shape of small benches of wavy contours that act as occasional grandstands on days when sports events are held or as resting spots along the park circuit during the remaining part of the season.</p>
<p><em>Text provided by the architect.</em></p>
</div>
<p>La entrada <a href="https://globalspaces.eu/2024/04/28/94316/">Athletics Stadium</a> se publicó primero en <a href="https://globalspaces.eu">Global Spaces</a>.</p>
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